As a lifelong cinephile who has been fortunate enough to witness the evolution of cinema from its humble beginnings, I find myself deeply moved and inspired by the unyielding passion and resilience of Spike Lee. His journey through the world of films, from his groundbreaking work on “Malcolm X” in 1964 to his latest projects, is a testament to the power of storytelling and the indomitable spirit of those who dare to dream.
Spike Lee kicked off his conversation with EbMaster at the Red Sea Film Festival, where he’s holding the position of jury president, by adopting a lighthearted tone, discussing soccer and his affection for the English soccer club, Arsenal.
When asked about his plans to attend the 2034 FIFA World Cup in Saudi Arabia, he chuckles and responds: “The real question is whether I’ll still be alive – I’ll be 77 in 2034. If I’m fortunate enough to be here, I’ll definitely go!
At the Red Sea Festival, Lee was with Vin Diesel and Michael Douglas as they watched Cristiano Ronaldo’s team, Al-Nassr, compete against Al-Ittihad.
Lee is making his third journey to Saudi Arabia, following his initial visit in 1991 to obtain approval for a Muslim-only crew to film ‘Malcolm X’ in Mecca – a groundbreaking event as it was the first time a non-documentary film team had been permitted to shoot in this sacred city. His latest return was in 2022, where he attended the premiere of the movie in the kingdom during the second Red Sea Film Festival.
Back in April 1964, I found myself embarking on a journey that would change my life forever – my Hajj pilgrimage to Mecca. As I celebrate the 32nd anniversary of the movie depicting this incredible experience, I can’t help but reflect on recent events. The daughters of Malcolm X have bravely taken legal action against the CIA, FBI, and NYPD, seeking a staggering $100 million in compensation for their father’s assassination – a powerful statement that echoes down through the years. So, my fellow movie lovers, I strongly recommend revisiting this epic masterpiece to understand the enduring legacy of Malcolm X.
Lee is confidently asserting: “They’re certainly guilty! I clearly demonstrated this in the film. Following the scene where he was shot, an NYPD officer casually enters, reminiscent of a leisurely stroll through Central Park. Later, when Malcolm travels to Egypt, it’s evident that he’s being trailed by the CIA. Therefore, it’s all there on screen!
Previously, it was reported that the FBI typically abstains from discussing ongoing court cases, the CIA did not initially provide a response when asked for comment, and the NYPD stated they would refrain from commenting on pending litigation. Similarly, none of these entities responded to inquiries made by EbMaster.
This year, as jury president, Lee has gained unique insights into how filmmakers portray various aspects of the world. He mentions that the selection process was challenging due to the high quality of the 16 films in competition. Although they haven’t announced the winning eight yet, he notes that there were extensive discussions and they could have awarded more prizes if possible. Overall, he expresses satisfaction with the chosen films.
Lee expresses his desire to spend more time in this place, as he aims to gain a deeper understanding of the country and its people. He mentions that with each visit, he learns more about the local culture and the Saudi population. He goes on to say that he has always been warmly welcomed here, and many people recognize his work. As a result, he feels very much at ease.
The speaker mentions his keenness to participate in future installments of the Red Sea Film Festival and explore local movie schools, should a suitable chance present itself.
Lee expresses his readiness to visit and address the film schools, as they have the potential to make a significant impact. He shares that one of his fellow jurors here is Egyptian director Abu Bakr Shawky, who once studied under Lee at NYU. Now, Shawky has become an accomplished filmmaker, and during his time in Lee’s class, he was one of his students!
After wrapping up “Highest 2 Lowest,” a remake of Kurosawa’s 1963 crime drama “High and Low,” Lee chooses to keep mum about his future endeavors.
He expresses that he prefers not to discuss something until it’s come to pass. Over time, he’s observed many people announcing their plans, but he personally prefers to keep his plans private and watch events unfold naturally.
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2024-12-12 19:49