Soderbergh’s New Horror Film Is Actually a Family Drama?

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In a new venture into horror cinema (as suggested by the script), filmmaker Steven Soderbergh delves into this genre with his latest work titled “Presence”. Known for his thought-provoking films, Soderbergh takes on the roles of director, cinematographer, and editor for this visually captivating and eerie supernatural production. This movie premiered at Sundance a year ago and has since generated anticipation with cryptic and unsettling previews. After some delay, Neon has now brought it to theaters. Similar to many others, it’s a film that benefits significantly from being watched on a large screen.

Although the film “Presence” offers some suspenseful hints, it’s challenging to find genuine scares throughout. This is due to the fact that the movie, from its captivating start to its sudden end, has a stronger resemblance to a melancholic tale of a troubled family than a spine-tingling supernatural thriller. In truth, it’s difficult to classify it as ‘horror’. Instead, it presents a ghost’s perspective within a household of new owners, but the genre is more subtly implied rather than explicitly labeled.

The screenplay by David Koepp is based on an intriguing idea, but unfortunately, it fails to develop beyond its initial concept. The movie, however, is visually stunning, thanks to Soderbergh’s sharp direction and control. Several of its themes resonate deeply as we witness the family falling apart from a fresh perspective. This viewpoint helps clarify many aspects of the film. Unfortunately, the marketing doesn’t do it justice, so it’s advisable to disregard the trailers entirely when approaching this movie.

The movie “Presence” features short scenes, filmed from the ghost’s point of view. These scenes primarily consist of stationary shots and tracking shots, concluding abruptly with a sudden transition to black. Initially, it might appear that these techniques are merely for show. However, as we become accustomed to the film’s melancholic pace, Soderbergh’s choices begin to seem increasingly logical.

After a captivating panorama takes us through the suburban home, we meet the Payne family – parents Rebecca (Lucy Liu) and Chris (Chris Sullivan), along with their teenagers Tyler (Eddy Maday) and Chloe (Callina Liang). Initially, they appear as a unified and functional household. However, as we listen in on the ghost’s covert observations, it becomes clear that each family member harbors personal struggles, some of which could potentially drive them apart.

For instance, Rebecca often acts assertively and dominates situations, yet struggles to conceal her bias towards her son. Chris, on the other hand, is excessively reserved and submissive, masking his growing irritation. Tyler, initially seeming carefree, has a selfish streak and develops an increasingly hostile attitude over the course of the movie. Chloe remains silent and detached, grappling with the recent loss of her best friend’s life. Their individual struggles contribute to rising domestic tension, slowly eroding the harmony within their household.

Regarding the ghost, it appears more as a lens than a being, seldom displaying emotions and making its presence felt only occasionally. Its origin, purpose, and possible link to this family remain largely unknown. While there are some theories, these questions mostly lack answers. This leaves one pondering if the ghost serves no other purpose than providing Soderbergh with an opportunity to experiment with his camera techniques.

However, it’s worth noting that “Presence” seems to prioritize the family dynamic. Soderbergh’s almost avant-garde style of filmmaking leaves some narrative holes, and the characters don’t have enough development to fully blossom. The climactic twist is given scant attention, leaving an uneasy ending. Yet, there’s a captivating quality in Soderbergh’s complex yet sensitive storytelling. At times, he immerses us so profoundly that we almost overlook the supernatural aspect. The film shines brightest during these immersive moments. It’s only when you reflect on the movie that its weaknesses become more apparent.

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2025-01-27 18:56