Phil Blattenberger’s “Laws of Man” is an entertaining throwback to classic genre movies, perfect for those who appreciate such films. It boasts a vibrant cast of characters, intense drama with a twist, a captivating historical background, and an outrageously unexpected finale that caught me off guard (though perhaps it shouldn’t have).
In the year 1963, at the onset of the Cold War, “Laws of Man” unfolds the tale of two U.S. Marshals stationed in Carson City, assigned to carry out warrants in rural Nevada. Frank Fenton (Jacob Keohane) is a stickler for rules and order, adhering strictly to the rulebook while hiding his ongoing struggle with PTSD from World War II. Tommy Morton (Jackson Rathbone), on the other hand, is youthful and brash, less hesitant to bend the rules and quick to take action in any situation, guns ablaze. Dressed identically in black suits, ties, and a Cadillac, they embody the classic lawman image perfectly.
In a turn of events, their initial warrant targets Crash Mooncalf, a backwoods gang leader (portrayed by Richard Brake), where the operation unfolds swiftly and brutally. However, the second warrant poses more challenges. They are mandated to apprehend Benjamin Bonney (Dermot Mulroney), a ruthless rancher, along with his three intellectually-challenged sons. The trio stands accused of murdering local landowners, whom Bonney claims as his rightful property.
After spending the entire day behind the wheel, Frank and Tommy seek refuge at the aptly titled Last Hope Motel, planning to catch some sleep before they encounter the Bonney’s. During their stay, they cross paths with a variety of intriguing locals, such as Kelly Lynn Reiter, a charming barmaid, Graham Greene, a grumpy sheriff, and Harvey Keitel, a wandering preacher. However, even these engaging personalities fail to prepare the officers for what is yet to come.
In a surprising twist, Frank and Tommy’s initial violent encounter with the Bonneys transforms into an intricate game of chess filled with unexpected visits from the FBI, vanished proof, and shocking disclosures that propel the narrative towards an outrageously unpredictable path. As the story unfolds, Blattenberger enjoys navigating through various genres, skillfully blending them into a captivating and self-aware mix. The acting is generally strong with everyone seeming to grasp the kind of movie they’re producing. Furthermore, there are numerous accurate period details, such as Frank’s fondness for 7-Up and the government’s apprehensions about Communism.
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2025-01-10 19:56