On May 19, at 11:30 p.m., a special called “MAGA: The Next Generation,” brought to you by “The Daily Show,” will air right after the regular show. You can watch it on Paramount+, and starting from May 20, it will also be available on “The Daily Show’s” YouTube channel.
25 years ago, “Best in Show” was released and is now commemorating its quarter-century milestone with a live event. This special occasion will include a screening of the film followed by a discussion between director Christopher Guest, Jane Lynch, John Michael Higgins, Michael McKean, Parker Posey, and moderator Stephen Colbert. Meanwhile, “Requiem for a Dream” is also marking its 25th year. In celebration, its director Darren Aronofsky will join Ellen Burstyn for a special screening. Furthermore, an event featuring “American Psycho” director Mary Haron and David Cronenberg, who’s debuting at the Tribeca festival for the 50th anniversary of his film “Shivers,” is also planned.
Back in 2024, I found myself deeply moved by the news about Karpen, a charming and familiar face within the independent film world who was diagnosed with glioblastoma, a particularly challenging form of brain cancer. Prior to founding Bleecker Street in 2014, this remarkable individual had served as co-CEO at Focus Features for over a decade.
The gang of magical burglars known as The Four Horsemen, comprising Jesse Eisenberg playing J. Daniel “Danny” Atlas, Woody Harrelson as Merritt McKinney, Dave Franco as Jack Wilder, and Isla Fisher as Henley Reeves, make their reappearance in this film following their roles in the last two movies. Additionally, Mark Ruffalo returns as Dylan Rhodes and Morgan Freeman remains as Thaddeus Bradley. New additions to the cast include Ariana Greenblatt, Dominic Sessa, Rosamund Pike, and Justice Smith.
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The Four Horsemen, a group of thieves with magical abilities, are back on screen in this film: Jesse Eisenberg plays J. Daniel “Danny” Atlas, Woody Harrelson is Merritt McKinney, Dave Franco portrays Jack Wilder, and Isla Fisher takes the role of Henley Reeves. Previous members Mark Ruffalo as Dylan Rhodes and Morgan Freeman as Thaddeus Bradley also return for this adventure. Joining them in the series are Ariana Greenblatt, Dominic Sessa, Rosamund Pike, and Justice Smith.
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The Four Horsemen, a band of magician-thieves, come back for another movie: Jesse Eisenberg plays J. Daniel “Danny” Atlas, Woody Harrelson is Merritt McKinney, Dave Franco takes on the role of Jack Wilder, and Isla Fisher stars as Henley Reeves. Returning from past films are Mark Ruffalo as Dylan Rhodes and Morgan Freeman as Thaddeus Bradley. Newcomers to the series include Ariana Greenblatt, Dominic Sessa, Rosamund Pike, and Justice Smith.
The movie represents the second production venture by this versatile artist, who’s currently riding high with her album “Brat” that’s still making waves. This new project falls under her Studio365 label, and it will be released alongside the upcoming A24 film titled “The Moment”. While specific storyline details are being tightly guarded, this director is renowned for his portrayals of intense violence, as evident in his critically acclaimed works such as “Audition” from 1999 and “Ichi the Killer” in 2001. The screenplay for this film is being written by Ross Evans, who’s also working on a script called “How to Save a Marriage” for Sony, with Robert Pattinson involved as producer.
The 14 Asian films competing for five major awards in BIFF’s latest competitive section will be shown from September 17-26. The awards up for grabs include the grand prize, best director, special jury prize, best actor/actress, and artistic contribution. Interestingly, this year, the winner of the grand prize will be screened as the festival’s closing film instead of being a separate selection.
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From September 17-26, BIFF’s new competitive category will showcase 14 Asian films in contention for five distinguished accolades: the grand prize, best director, special jury prize, best actor/actress, and artistic contribution. Notably, the movie that wins the grand prize will serve as the closing film of the festival, deviating from the usual tradition where a different film is chosen for this slot.
Rumor on the prairie is: new things are afoot. Danksharding—yes, it sounds like either a plumbing mishap or a trendy Moscow nightclub—offers hope, or at least a dopamine thrill, to DeFi fanatics, NFT evangelists, and those who believe democracy could flourish if only it ran on a lot more code and fewer politicians. Upgrades twinkle on the horizon like distant samovars.
There’s a certain enchantment about nostalgia, particularly when it comes to video games. The conversation begins with fans being amazed that Final Fantasy XIII is frequently associated with the year it was released, revealing the astonishing fact that a game from 2008 managed to captivate so many people’s hearts and minds, despite technically being released in 2009. This blend of memories leads fans on a journey of recollections about their initial experiences playing the game. One user reinforces the confusing timeline, stating, “It’s hard to believe it was released in 2008, but that’s because it actually came out in 2009.” These instances transport everyone back to where they were in life at that time, and remind us of how video games have become a part of our personal histories.
Aerith was envious of having a childhood where Cloud and Tifa could have moments like these.” The scene is reminiscent of a live-action soap opera, keeping viewers hooked, exclaiming “No, not the water tower!” It underscores Aerith’s yearning for connections she never had, making it a poignant demonstration of character development that resonates with anyone who has ever felt left out.
The disclosure about Sin’s form has sparked diverse reactions from fans. Some gamers pointed out that the detail isn’t easily noticeable even after repeated plays, demonstrating how deeply involved players might miss intricate details within a game. User bathnasty pondered, “I can’t make out much here either, but you can see there’s something in that water ball.” This idea was prevalent in the discussion—many players picked up on something being off, yet struggled to piece together the puzzle. Naturally, it prompts curiosity: why does Sin appear as a floating water ball in Zanarkand and not elsewhere? This enigma has left many fans puzzled, leading to intriguing theories within the community. Could it be a subtle storytelling method or simply a design choice of the game? The ambiguity keeps players guessing, keeping them engaged long after their characters have come to a halt.