Highest 2 Lowest Is All the Best and Worst of Spike Lee
In the journey towards cinematic greatness, the film “Highest 2 Lowest” begins rather confusingly. Based on Akira Kurosawa’s 1963 classic “High and Low”, it initially unfolds as a corporate drama before shifting into a crime thriller when the protagonist, David, receives a call that his teenage son Trey (Aubrey Joseph) has been kidnapped. The kidnapper, however, has mistakenly taken Kyle (Elijah Wright), Trey’s friend and the only child of David’s driver and right-hand man Paul (Jeffrey Wright). With his own son’s ransom draining the funds he had borrowed and leveraged for a business deal, David is faced with a moral dilemma: is he willing to sacrifice everything for someone else’s child? This situation sets the stage for deep ethical introspection. Unfortunately, “Highest 2 Lowest” transforms these events into tedious, hourlong explanations. Alan Fox’s script is filled with awkward dialogue (David’s wife Pam, played by Ilfenesh Hadera, explains in excruciating detail which items on the dining table can be moved during police investigation), and the overbearing score feels like garish wall-to-wall carpeting. The glossy elegance of the Kings’ Dumbo penthouse and Manhattan offices, along with numerous skyline shots, makes the initial act feel more like a promotional video for an unspoken product.