There isn’t a set format for each episode of *The Lowdown* – not yet, anyway. The show simply follows Lee, and he’s incredibly unpredictable, bouncing from one thing to the next. He’s completely unprepared for a normal weekend with his daughter. Instead of taking care of himself, he leaves a mess at a gas station and tries to cover up his injuries with heavy makeup and a hat, making it clear he’s not ready to be a dad.
A fan account, @thedistrictdispatch, shared a photo on September 22, 2025, of a poster used in the upcoming film. The poster, designed like those seen in the Capitol, features the character Zada and declares “Our Victor.” It also shows a younger Haymitch shortly after he won the 50th Hunger Games. The photo was taken on set in Germany by @4gewinnt66, giving fans their first look at the actor playing Haymitch.
At a $500 billion valuation, Tether would sit alongside OpenAI and SpaceX like a whale in a goldfish bowl. Circle, poor soul, would be left playing checkers with its $30 billion, muttering about unfair odds. The math? A 3% stake for $15-20 billion. That’s a deal so lopsided, even a barn cat could sniff out the absurdity.
Hideo Kojima has a lot on his plate. Fresh off the anticipated release of Death Stranding 2: On The Beach, expected to be a top game of 2025, he’s currently involved in numerous projects, both inside and outside of the gaming world.
Here’s the full ending explained for Alien: Earth’s finale.
Square Enix revealed Octopath Traveler 0 during the July Nintendo Direct presentation. Since then, they’ve released information and images detailing the story, combat, town-building features, and the game’s villains. Our own Scott had a chance to play it at PAX East, and you can find his thoughts on the game here.
Square Enix revealed The Adventures of Elliot during the Nintendo Direct presentation in July, and also gave fans a first look at screenshots and details about the story, characters, and how the game will play.
I’m bringing this up because the first season of *Alien: Earth* has a somewhat strange ending. Throughout the season, the show does a lot of things well – the monsters are darkly funny, it thoughtfully explores what it means to be human, and the actors really commit to their unusual roles (playing kids, robots, and robot-kids!). The first four episodes were tightly plotted and built nicely towards a big climax in episode five. However, the last three episodes feel a bit drawn out, like the showrunner, Noah Hawley, didn’t quite have enough story to fill them all.
Morrow is a complex character caught between worlds. He began as a security officer on the doomed *USS Maginot* and was later assigned by Weyland-Yutani to retrieve the Xenomorph cargo after the ship crashed in New Siam. Babou Ceesay delivers a standout performance as Morrow, portraying him with cold, calculated precision. Morrow represents the dark side of corporate power – a loyal employee who has been dehumanized and transformed into a ruthless instrument for his company. He’s unnervingly calm, intensely focused, and willing to resort to violence – even against those who seem innocent, like a child or a highly advanced synthetic being.
The end of Noah Hawley’s *Alien: Earth* dramatically changes the backstory of the xenomorphs. They’re no longer presented as terrifying, flawless killers created by a powerful, ancient race. Instead, the series reimagines them as protectors of a young girl named Wendy, fighting against abusive adults who exploited her and other children for financial gain. The xenomorphs aren’t inherently evil-they’re simply misunderstood. The show essentially asks if you wanted a story where villains are created by circumstance, similar to Disney’s *Cruella*, with a thin layer of social justice messaging. If so, you get it, and it’s surprisingly silly.