Minority Mindset

Fans of Quentin Tarantino immediately recognized the scene as strikingly similar to the iconic 20-minute opening of Inglourious Basterds. Just like that film, Christoph Waltz’s character calmly and methodically confronts someone hiding a secret, with Léa Seydoux watching in fear at the same table. While Spectre as a whole didn’t resonate with everyone, this scene is memorable because it feels distinctly “Tarantino-esque.” It creates a compelling connection between the two films, using familiar actors in a new situation, and its impact relies heavily on the masterful performance Waltz established years ago.

When Landman premiered on Paramount+ in November 2024, critics generally liked it, though it took viewers a little while to get into. While the first season wasn’t perfect, it showed promise and could become one of the top modern Western shows on TV.

The show could have been enjoyable if it embraced its over-the-top nature and everyone committed to a clear vision. Instead, it feels confused – the acting is inconsistent, as if the performers are trying out different interpretations of the show, and the storylines are weak. Cases that should take considerable time are resolved incredibly quickly – faster than it takes for nail polish to dry, in one instance. One plot involves a wife falling for the woman her husband hires for a threesome, only for her to receive a massive $210 million settlement moments later thanks to incriminating video evidence. (The details are shockingly explicit, and frankly, a reason to skip the show.)