‘Oh, Hi!’ Review: A Terrific Cast Led by Molly Gordon and Logan Lerman Can Barely Keep a Modern-Day ‘Misery’ Afloat

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In the film “Oh, Hi!”, written and directed by Sophie Brooks, marketed as a comedic exploration of relationships or more accurately, modern-day “situationships”, the narrative commences in a somewhat somber manner. The movie hints at an upcoming shift in mood that will occur later on. A haunting melody accompanies our first glimpse of Iris, portrayed by Molly Gordon in a wildly expressive and manic performance. She admits to having done something wrong to someone we haven’t met yet.

The narrative unfolds in an engaging manner as Brooks rewinds time approximately 30 hours, delving into a compelling dark comedy where flawed and complicated characters repeatedly make regrettable choices. Dating becomes a challenging endeavor for young adults who must negotiate dating apps and bars filled with self-centered eccentrics. The story then takes us on a captivating journey alongside Iris and her boyfriend Isaac, skillfully portrayed by Logan Lerman, as they travel along scenic roads in New York State, harmoniously singing “Islands in the Stream” by Dolly Parton and Kenny Rogers. Springtime lakes shimmer under the sun, charming red barns add a cinematic touch, and strawberry farms selling fresh, ripe berries complete the idyllic scene. However, things might be taking a turn as Isaac seems to be flirting with the strawberry vendor right in front of Iris.

Following an amusing mishap involving an abundance of strawberries, the cheerful pair find themselves at a stunning Airbnb in High Falls – quite fittingly named for the upcoming humor. This idyllic lakeside residence, reminiscent of a Super Host’s touch, offers them a taste of paradise. Throughout their stay, Isaac and Iris engage in several intimate moments, with Brooks skillfully capturing these scenes. They take dips in the lake, prepare gourmet meals of scallops, and enjoy dining under twinkling fairy lights. It’s evident that they are just beginning their relationship, as they continue to ask each other questions to get to know one another. While he has a preference for books, she is more inclined towards movies. Both have suffered heartbreak in the past – Isaac from his unfaithful father and Iris from an ex whom she contemplated harming. A word of caution, it seems…

So far, things have been going well. The duo, deeply connected, share genuine moments filled with humor, such as when they discuss their choice of sex positions, and Brooks quips, “I thrive on missionary.” Later, after their intimate encounter, a twist unfolds. It appears that Isaac hasn’t considered their four-month relationship as exclusive – a fact that leaves Iris stunned. Intriguingly, they had never discussed being monogamous, which is surprising given their weekend retreat together. The issue arises when Isaac discloses this information before Iris has the chance to free him from the handcuffs binding his ankles and wrists, attached to a four-poster bed.

From here on, things become quite perplexing, transforming a casual “Hey there!” into something rather dismal for Gen-Z. The actions taken by both Iris and Isaac seem illogical at times. In this scenario, feelings of heartache and denial are entirely expected. However, as a self-assured, modern, and graceful woman, Iris’s relentless pursuit to keep Isaac by her side seems utterly incongruous. Haven’t gender dynamics evolved beyond this point? Where is the respect for individuality?

As Iris becomes more erratic and unstable, trapping an increasingly anxious man, the charm of “Hey there!” begins to fade.

In the midst of things, Isaac’s sudden threats of seeking legal help right before his release seem overly manipulative and frustrating. It’s only natural for anyone with sound judgment to prioritize their own freedom above all else first. Gordon and Lerman deliver commendable performances, displaying great camaraderie and comic timing. In particular, Gordon’s physical acting as the eccentric ex-girlfriend is quite impressive and humorous. However, Brooks’ writing sometimes reveals its flaws, making them difficult to overlook.

Greeting Iris, Max (played by Geraldine Viswanathan) and her boyfriend Kenny (John Reynolds) show up, eager to lend a hand. Kenny, who’s quite the “Law & Order” aficionado, anticipates various legal twists. While a whimsical comedy like this doesn’t always rely on logic, when it veers into “The Witches of Eastwick” realms, it becomes confusing and less engaging to follow.

In some parts of this movie, Brooks demonstrates her keen observational skills, particularly when she delves into the contemporary trend of “soft boys” in Brooklyn – men who seek all the benefits of a stable relationship, such as sex and emotional security, without fully committing to it. However, despite an engaging beginning, “Oh, Hi!” loses its charm as events unfold. It’s quite surprising that this mainstream film remains intriguing despite its flaws, and much of that can be attributed to the captivating performances by a talented cast, especially Gordon. Nevertheless, “Oh, Hi!” eventually transforms into a disappointing experience.

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2025-01-27 21:18