In the latest limited series from Netflix titled “American Primeval,” penned by Mark L. Smith who wrote “The Revenant,” viewers are drawn into the harsh realities of the American West during the Utah Territory in 1857. The narrative unfolds through the dangerous odyssey of a resourceful mother and her son, seeking fresh beginnings. It delves into various American groups – pioneers, native inhabitants, soldiers, and Mormons – all struggling to survive amidst an extremely volatile and fear-dominated environment. Over six episodes, it offers a brutal yet captivating portrayal of a society and nation still grappling with its most aggressive tendencies.
This film opens during the Utah War, a violent dispute between the Church of Jesus Christ of Latter-day Saints, or Mormons, led by Governor Brigham Young (Kim Coates), and the U.S. Army. A neat and stressed woman, Sara Rowell (Betty Gilpin), along with her son Devin (Preston Mota), step off a train far from their home in Philadelphia. Despite being three weeks late due to inconsistent train schedules, Sara is resolute on continuing westward to reunite with Devin’s father in Crook Springs, California. However, upon discovering that their escort has already departed, and no one at Fort Bridger, run by mountain man Jim Bridger (Shea Whigham), is willing to accompany them to their destination, Sara faces a challenging journey ahead.
The journey to Crook Springs, involving a treacherous snowy mountain path, escalating tensions between Mormons and the Shoshone tribe, expansive territories teeming with unpredictable wildlife and outlaws, isn’t an undertaking that most men are eager to confront, even with Sara’s substantial financial inducement. However, determined to complete her journey for her son’s sake, Sara finds herself in a precarious predicament and is compelled to rely on the elusive Isaac Reed (played by Taylor Kitsch), a solitary figure dwelling near Ft. Bridger. Isaac is an enigmatic man who possesses an intimate knowledge of the region and its inhabitants. Initially antagonistic, more about Isaac’s past unfolds as the narrative unfolds.
Sara, driven by her son, embarks on a challenging journey to Crook Springs with its steep mountain pass, tribal conflicts, wild animals, and outlaws. Despite a generous offer, few men are keen. Stranded in danger, she turns to the mysterious Isaac Reed who lives near Ft. Bridger. He’s a man of secrets, but as the story unfolds, we learn more about his past.
Under the guidance of director Peter Berg, “American Primeval” offers a deeply engaging and realistic journey. Utilizing low-angled and moving shots, along with outstanding on-location cinematography by Jacques Jouffret, the story unfolds from multiple perspectives. Each scene is meticulously detailed and intense, depicting gruesome images of blood flowing from skinned animals, the harshness of various climates, and the relentless, ruthless individuals influenced by capitalism and colonialism who pose a lethal threat. It’s also evident that most characters, including Sara, have hidden agendas.
While Sara’s journey serves as the main narrative, the show delves into separate journeys of other characters. Brigham Young, known for his volatile, vengeful nature and unwavering desire to create a sanctuary for Mormons, relentlessly pursues his vision. Crossing paths with Sara and Devin are Jacob (Dane DeHaan) and Abish Pratt (Saura Lightfoot Leon), a newlywed Mormon couple en route to Salt Lake City. The series also explores the plight of the Shoshone tribe, who have endured the devastating effects of white settlers taking over their lands disregarding centuries-old culture and tradition. Led by Julie O’Keefe, Head of the Indigenous Cultural Department, the creators of “American Primeval” offer insight into various tribes, such as the Paiute tribe whose perspective on colonizers differs from the Shoshone. The audience is also introduced to Red Feather (Derek Hinkey), a leader of the more radical Shoshone faction called the Wolf Clan. He seeks retribution against both Army personnel and Mormons alike, driven by his desire for revenge.
As a movie reviewer, I find myself immersed in “American Primeval,” a cinematic exploration that delves into America’s formative years, a time when the nation was still learning to walk and its historical pains were palpable. The narrative, primarily seen through the eyes of men, is here expanded to include Sara, a central character, as well as Two Moons (Shawnee Pourier), a silent Indigenous girl, and Abish, a woman who found herself bound by circumstances after her sister’s demise. This creative decision serves to underscore the profound impact that the decisions, mistakes, and desires of men had on women during this period.
Moreover, the omnipresent specter of sexual violence, though not graphically portrayed in this film, serves as a chilling reminder of the additional fear and terror women faced in those times. “American Primeval” offers a compelling perspective on the complexities of America’s early history, one that acknowledges the struggles and resilience of its women.
In the narrative of “American Primeval,” events unfold within a mere fortnight. However, the impacts felt by individuals traversing Utah during this time resonated profoundly throughout American history. The series presents several viewpoints, yet countless others remain hidden and unexplored. One consistent truth that lingers from the series to our current times is that civilization often coexists uneasily with what we consider civilized society.
“American Primeval” premieres on Netflix Jan. 9.
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2025-01-09 18:16