‘Mic Drop, We’re Done’: Limited Series Writers Talk Learning Curves, Endings and the Art of Collaboration

As someone who has always been fascinated by the power of storytelling and its ability to bring communities together, I find myself deeply inspired by these writers who are using their craft to tell untold stories from around the world. Shaye Ogbonna’s journey with “Fight Night: The Million Dollar Heist” resonates with me particularly, as he delves into the rich history of a specific community through the lens of boxing – a perfect distillation of drama, as Ramirez aptly put it.

Writers of limited series enjoy a significant advantage compared to those working on ongoing series, as they are not bound by the need to plan for future seasons. This allows them to construct a climactic, spectacular finale without worrying about potential storylines or developments that may follow.

Marco Ramirez, the executive producer and showrunner of ‘La Maquina’, a forthcoming Hulu series about the world of Mexican boxing, stated that the show offers us a chance to captivate audiences and leave them craving more. He concluded, ‘We’ve given our best – that’s it, we’re finished.’

On Thursday evening, Ramirez joined four other writer-producers at the London Hotel in West Hollywood for an engaging discussion, which was a segment of EbMaster’s “A Night in the Writers Room” event during awards season.

The group of writers deliberated over the unique aspects of crafting stories within this particular format. Shaye Ogbonna, who serves as the creator, executive producer, and showrunner for Peacock’s “Fight Night: The Million Dollar Heist,” attributed the increasing popularity of limited series during Peak TV’s zenith as the driving force behind unearthing previously untold tales from various corners of the globe, such as his hometown Atlanta. In essence, “Fight Night” recounts the tale of a daring armed robbery that took place in 1970, coinciding with Muhammad Ali’s legendary comeback fight.

Many tales rooted in local lore and mythology within marginalized communities are often shared orally rather than being written down,” Ogbanna explained. “You won’t usually find them in books, movies, or television shows. Instead, there are countless stories like these that have been passed down from generation to generation. Since I come from such a community, I was familiar with the fight but unaware of the robbery.

When the “Fight Night” project was presented to him, Ogbonna found out that his family members had already heard about it through local folklore. Interestingly enough, this was also known to Samuel L. Jackson, who stars in the project, as Ogbonna discovered later on.

Whenever such an incident crosses my path, I find myself conversing with my elders, namely my aunts, uncles, and those from the older generation. Remarkably, each one of them had knowledge about the theft and even personal connections to those present during the event. Even the esteemed Samuel L. Jackson, while at Morehouse College, knew someone involved in the robbery. [This statement is made during a discussion moderated by Jazz Tangcay, EbMaster’s senior Artisans editor.]

Ogbonna added that the oral tradition of storytelling that surrounded him as a kid influenced his professional life. “I grew up hearing those stories and that’s probably what led me here was my grandma telling me some story, or my auntie, or my uncle,” Ogbonna said, adding that “Fight Night” is “a love letter and a testament obviously to Atlanta, but to those stories.”

Joshua Zetumer, the creator, executive producer, and showrunner of FX’s “Say Nothing,” shared his journey from a California-raised boy to adapting Patrick Radden Keefe’s book about the civil war in Ireland during the 1960s and ’70s. He admitted that he initially had no connection to this complex Irish narrative, saying, “I was an outsider trying to tell this incredibly ambitious Irish story.” Zetumer mentioned that his first paid writing job already hinted at an Irish revolutionary theme when he worked on a film about the IRA for Leonardo DiCaprio’s production company. He humorously added, “Fortunately, the film never saw the light of day.

Lauren LeFranc, the executive producer and head writer of HBO’s “The Penguin,” discussed her mission of adding depth and complexity to a character that is widely recognized yet remains enigmatic to audiences. This task proved simpler due to the potent performance delivered by star Colin Farrell in his role, as well as the expansive storyline for the Batman universe that DC Entertainment has already mapped out.

LeFranc stated, ‘I recognized this tale as one about gaining power, and I understood Oz would need to reach a significant level of power by the conclusion.’ Determined to guide him towards the sequel, I aimed to ensure his ascension would have consequences. Moreover, I wanted this journey to delve deep into understanding the essence of this character.

Laura Eason, the executive producer and showrunner of Starz’s “Three Women,” shared with industry professionals her enthusiasm for the collaborative process involved in creating an authentic setting, a passion stemming from her theater background. The series “Three Women” follows the lives of women residing in diverse locations – Indiana, Martha’s Vineyard, and North Carolina. The production team meticulously crafted each character’s environment and clothing to reflect their emotional state at specific moments throughout the storyline.

Collaboration is right at the heart of my work, something I deeply value and embody,” Eason stated. “It’s wonderful to gather here and work on this project collectively, trusting each other’s skills because they immerse themselves in their respective fields day and night. This collaboration will bring forth innovative ideas about costumes, sets, and props.

Ramirez found himself needing to learn extensively about Mexico’s deep boxing history as he prepared for Hulu’s initial Spanish-language original drama, featuring Gael García Bernal and Diego Luna.

Boxing encapsulates drama in an exceptional manner, as every contest unfolds like a gripping tale. The essence lies in two individuals entering the ring, with one emerging victorious while the other falls short. However, delving into the culture of Mexican boxing and its profound significance to a particular era of Mexicans was particularly enlightening. Many knowledgeable individuals shared their insights about boxing, especially elucidating the unique Mexican style of the sport.

Ramirez garnered one of the evening’s largest chuckles when he shared stories about Luna’s eagerness towards the prop butt used in our show.

As a devoted cinephile, I recognized the unique qualities I desired for our boxer character. Personally, I envisioned his origins to be distinct and his fighting style to be particular. Diego, on the other hand, was determined to alter his appearance drastically with numerous plastic surgeries, even going as far as requesting implants to enhance his derriere. He’d often spend hours in the makeup chair each morning undergoing the less-than-ideal procedures. However, during filming, he would frequently draw attention to his transformed physique, proudly showcasing it and pointing out specific areas, saying, “Check out this butt, man, check this spot.

Tangcay inquired from the panel regarding the method of deciding on the conclusion for a limited series – the climactic moment, if you will. Ogbonna promptly replied that “I’m more about the penultimate episode.” Zetumer mentioned he employs a measuring tool that is both emotionally and physically oriented.

Zetumer stated, ‘When concluding your work, if you experience an emotional response towards what you’ve created and feel a sensation at the back of your neck, that’s why you write.’ Throughout the day when you write, you’re pursuing this feeling. Every writer is aware of this, seeking a physical reaction such as goosebumps or tearing up, or just an internal stirring. This feeling is almost like an emotional high. It’s addictive in a way. If you experience a profound sense of relief, it signifies completion – simply close your computer or put down your pen.’

2024-12-07 01:47

‘Mic Drop, We’re Done’: Limited Series Writers Talk Learning Curves, Endings and the Art of Collaboration

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