As a movie enthusiast who has spent countless hours immersed in the rich tapestry of cinematic history, I find myself deeply saddened by the passing of George Folsey Jr. His contributions to the world of film, particularly his collaborations with director John Landis, have left an indelible mark on the industry. From “Coming to America” to “The Blues Brothers,” Folsey’s editing skills were instrumental in shaping some of the most iconic films of our time.
What sets Folsey apart from many others in his field is not just his technical prowess, but also his versatility. His work extends beyond the realm of film editing, encompassing producing, directing, and even providing commentary for films like “Hostel.” This multi-faceted approach to cinema is truly inspiring and a testament to his passion for storytelling.
What I find particularly fascinating about Folsey’s career is his ability to navigate the challenging waters of the film industry with grace and resilience. From the infamous “Twilight Zone: The Movie” incident to his work on the Michael Jackson “Thriller” music video, he faced adversity head-on and continued to create remarkable works that captivated audiences worldwide.
In the end, George Folsey Jr.’s life serves as a reminder of the power of perseverance, creativity, and an unyielding love for cinema. His legacy will live on in the films he left behind, inspiring future generations of filmmakers to push boundaries and create their own masterpieces.
And now, for a little humor to lighten the mood – I can’t help but imagine Folsey Jr. up there in the great editing suite in the sky, splicing together scenes from all our favorite films, creating an ultimate cinematic montage that will keep us entertained for eternity! Rest in peace, George Folsey Jr., and may your scissors forever be sharp.
George Folsey Jr., the long-time film editor who contributed to timeless classics like “Coming to America” and “Animal House”, passed away on December 29th. He was 84 years old.
As a passionate cinephile, I personally received the recent news straight from Ryan Folsey, an editor himself and son to the legendary cinematographer George J. Folsey Jr.
Throughout his five-decade long career, Folsey Jr. often worked alongside director John Landis. In this collaboration, he edited or co-edited a total of six of Landis’s movies, such as “Schlock,” “The Blues Brothers,” and “Coming to America.
Additionally, Folsey Jr. collaborated with the director of “Burke and Hare” on multiple projects, serving as the second unit director for films such as “Trading Places”, “Into the Night”, and “Three Amigos”.
Among his other editing accomplishments are the “Michael Jackson’s Thriller” music video, the films “Hot Tub Time Machine,” “Clarity,” “Wolf Mountain,” “Just Swipe,” “Summer Rain,” “Despair,” “Freeloaders,” “Chain of Command,” and “My Sister.”
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He has also worked as an editor on projects such as the “Michael Jackson’s Thriller” music video, movies like “Hot Tub Time Machine,” “Clarity,” “Wolf Mountain,” “Just Swipe,” “Summer Rain,” “Despair,” “Freeloaders,” “Chain of Command,” and “My Sister.”
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In addition to his current project, he has edited the “Michael Jackson’s Thriller” music video, films such as “Hot Tub Time Machine,” “Clarity,” “Wolf Mountain,” “Just Swipe,” “Summer Rain,” “Despair,” “Freeloaders,” “Chain of Command,” and “My Sister.”
All three options convey the same information in a slightly different way, maintaining a natural and easy-to-read style.
As a lifelong movie enthusiast who has spent countless hours watching films of all genres, I must say that Folsey Jr.’s impressive resume as both an editor and producer is truly inspiring. Having worked on a diverse range of projects from comedies like “The Blues Brothers” and “Coming to America,” to horror films such as “An American Werewolf in London” and “Twilight Zone: The Movie,” it’s clear that Folsey Jr. has a keen eye for great storytelling and an ability to bring out the best in each project he touches.
His work on documentaries like “Michael Jackson: Number Ones” and “Wendy Liebman: Taller on TV” showcase his versatility, as he is able to effectively tell stories in both scripted and unscripted formats. I also appreciate the variety of roles he has taken on throughout his career, serving not only as a producer but also as an executive producer on projects like “Clue,” “The Thing Called Love,” and “Greedy.”
Overall, Folsey Jr.’s impressive body of work demonstrates a passion for storytelling that shines through in each project he is involved with. His contributions to the film industry are significant, and I can’t wait to see what he will do next.
Additionally, Folsey Jr. received an ACE nomination in 1984 for his documentary special titled “The Making of ‘Thriller’,” focusing on Michael Jackson. Furthermore, he offered commentary on the 2005 movie “Hostel” for its DVD release.
In the 1980s, he was found not guilty in a manslaughter case connected to the tragic deaths of actor Vic Morrow and two child actors during a helicopter accident on the set of “Twilight Zone: The Movie.” During his formative years, Folsey Jr. studied at St. Paul the Apostle, Loyola High School, and Pomona College. He had a passion for golf and fine wines.
He leaves behind his wife Belinda Folsey, as well as his daughter Erin Plasse and son Ryan Folsey. Additionally, he is proud to have three granddaughters: Lucia Folsey, Chloe Plasse, and Hazel Plasse.
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2025-01-01 00:47