First ‘Scream 7’ Trailer Teases the Return of a Classic Character

Pay close attention to the very end of the Scream 7 trailer. Just before the credits roll, you’ll hear a voice say, “This is gonna be fun.” Did you notice it?

That’s Matthew Lillard, and it’s been a while since he appeared in a Scream movie – his character was Ghostface in the very first one, and those guys rarely survive past the first film! However, his voice is definitely in the new trailer, and he’s officially part of the cast for the seventh Scream. It’s still a mystery how they’ll bring him back, what role he’ll play, and whether his character is even still alive.

Neve Campbell returns as Sidney Prescott in the latest Scream movie, reprising her role as Ghostface’s most frequent target. Courteney Cox is back as Gale Weathers, and David Arquette returns as Dewey, though his character died in Scream 5. What makes Scream unique among horror franchises is its lack of supernatural elements, so it’ll be interesting to see how the returning characters fit into the new story.

A significant aspect of this seventh Scream film is that it’s the first one directed by Kevin Williamson, the creator of the original series from the 1990s. This happened after major changes to the movie, including the departure of stars Melissa Barrera and Jenna Ortega during production.

The next Scream movie will feature Isabel May as Sidney Prescott’s daughter and Joel McHale as her husband. You can watch the trailer for Scream 7 below.

There’s a new poster for the film as well.

Here is the film’s official synopsis:

Sidney Prescott, hoping for a peaceful life, finds her past catching up when a new Ghostface appears and threatens her daughter. To keep her family safe, Sidney is forced to confront the terrifying events of her past and stop the cycle of violence for good.

Scream 7 is scheduled to open in theaters on February 27, 2026

Movies That Everyone Loves That Are Actually Bad

My Fair Lady (1964)

With a Letterboxd average score of 3.6, this Best Picture winner hasn’t held up well over time. While the costumes and songs are impressive, the film suffers from miscasting – Audrey Hepburn isn’t quite right for her role, and Rex Harrison is grating. Neither actor can sing, leading to Hepburn’s vocals being dubbed and Harrison essentially speaking his songs into a new microphone technology. The ‘romance’ centers on a man who repeatedly criticizes a woman’s accent until she leaves, and only then expresses regret – a rather unappealing love story.

MA*SH (1970)

With an average Letterboxd score of 3.5, MASH remains a hugely influential film. It kickstarted Robert Altman’s directing career and helped launch the careers of actors like Donald Sutherland, Tom Skerritt, and Elliott Gould, ultimately leading to the beloved 1970s TV series. However, while audiences at the time were captivated by Altman’s innovative style and the film’s camaraderie, they often overlooked or dismissed the problematic sexism present throughout. The film’s story could easily be reframed as an exposé of misogyny within the Army, but instead, MASH is a comedy that portrays those who engage in abusive behavior as charming heroes rebelling against a stuffy and hypocritical establishment.

For Your Eyes Only (1981)

With an average Letterboxd score of 3.1, For Your Eyes Only is often considered Roger Moore’s most grounded James Bond film – which says a lot, considering it still features a ski chase with a motorcycle on a bobsled and a parrot having a phone conversation with Margaret Thatcher! However, ‘routine’ is a better description. It doesn’t have the strong energy of the best Sean Connery or Daniel Craig Bond movies, nor the over-the-top fun of Moore’s more outlandish adventures. The villain, gadgets, allies, and female leads are all easily forgotten, as is the plot itself (something about a stolen missile launcher, but it’s hard to get invested). This isn’t Moore’s best, or even underrated, Bond film.

Crocodile Dundee (1986)

Letterboxd users give this film an average score of 3.1. While Top Gun was the biggest movie of 1986, Crocodile Dundee was a close second, earning only $2 million less at the box office. In fact, it outperformed many other popular ’80s films like Aliens, Platoon, Star Trek IV, Stand By Me, Rocky IV, and The Fly. The film centers around Paul Hogan as a rugged Australian bushman navigating the unfamiliar streets of New York City – a simple premise that resonated with audiences. Despite being based on a single joke, Crocodile Dundee became a massive hit, launching Paul Hogan to international stardom and creating a successful franchise. The reason for its popularity remains a mystery.

The Crow (1994)

With an average Letterboxd score of 3.7, The Crow is a visually striking film and Brandon Lee’s performance is memorable. However, it prioritizes style over a compelling story. The Crow character, while visually cool, lacks depth – being virtually invulnerable removes any real tension from his quest for revenge. Lee is subjected to a lot of on-screen violence, both as the Crow and as his human alter ego, Eric Draven. Considering the tragic circumstances of Lee’s death during filming, the film’s violent content can be unsettling and deeply poignant.

American Beauty (1999)

Despite its 4.0 average rating on Letterboxd, American Beauty hasn’t aged well. The film centers on Lester Burnham, a man experiencing a midlife crisis who becomes obsessed with his teenage daughter’s friend. Even if a different actor played the role, the story’s premise – a married man fantasizing about a young woman – remains problematic. The film romanticizes Lester’s behavior, portraying it as a path to self-renewal, while simultaneously painting his wife as unlikeable and materialistic, and even having her cheat on him. If released today, American Beauty would likely be highly controversial and wouldn’t likely win Best Picture, as it did in 1999, beating out films like The Sixth Sense and The Insider.

How the Grinch Stole Christmas (2000)

With an average Letterboxd score of 3.4, this version of How the Grinch Stole Christmas boasts impressive visuals – particularly Rick Baker’s makeup and the imaginative production design, down to the smallest details. However, the story itself is disappointing. The film feels as grumpy and unpleasant as the Grinch himself, and expanding the short story to a full-length movie means spending too much time focused on his negativity (and Jim Carrey’s exaggerated performance). Despite its flaws, many people enjoy it as a holiday tradition, but I prefer It’s a Wonderful Life.

Crash (2004)

With an average Letterboxd score of 3.0, Crash remains a controversial Best Picture winner from 2004. Many felt that films like Good Night, and Good Luck and especially Ang Lee’s Brokeback Mountain were more deserving of the Oscar. While the film boasts a stellar cast – including Sandra Bullock, Don Cheadle, Matt Dillon, and others – the story itself, which explores the interconnected lives of people dealing with racism in Los Angeles, is often seen as complicated and unsatisfying.

Constantine (2005)

With an average Letterboxd score of 3.3, Constantine initially failed with critics and audiences, but has since gained a dedicated following as a uniquely strange superhero film. While it’s appreciated now, it could be even more unconventional, and many fans wish Tilda Swinton had more screen time as the angel Gabriel. It’s better than its early reviews suggested, but perhaps not quite as good as some currently believe.

Kick-Ass (2010)

With an average Letterboxd score of 3.5, Kick-Ass stands out from other superhero films by offering some genuine satire and edge. While it’s gained a cult following, largely because so many superhero movies feel generic, the film’s characters are somewhat underdeveloped, and the initial shock value of its violence doesn’t leave a lasting impression.

The Amazing Spider-Man (2012)

This film has a Letterboxd average score of 3.3. While I’ll watch most Spider-Man movies, this one is particularly weak. Andrew Garfield is a great Spider-Man, and his chemistry with Emma Stone is fantastic. However, retelling Peter Parker’s origin story felt unnecessary, and The Lizard is one of the worst villains in any Spider-Man film. The scene in Curt Connors’ lab is especially baffling – Connors tells Peter to leave, then inexplicably leaves himself, allowing Peter to wander around and discover his secret.

Star Trek Into Darkness (2013)

The film has a decent average score of 3.3 on Letterboxd, and it’s easy to see why it appeals to both fans and critics – there are genuinely touching moments, nods to the series’ history, and some visually stunning shots of the Enterprise. However, the movie is significantly bogged down by the plot involving Benedict Cumberbatch’s character, which feels unnecessarily convoluted and illogical. The villain’s plan, the motivations of his backers, and even the way Kirk and Spock ultimately defeat him all lack coherence. The film also relies too heavily on recreating scenes from Wrath of Khan without a strong narrative reason. While J.J. Abrams successfully captured the spirit of Star Trek in his first film, Into Darkness feels like a misstep. Abrams prioritizes shocking twists and mysteries, which doesn’t serve the story, especially when it’s essentially a remake of a classic. Ultimately, the film seems to miss the core message of Star Trek: the needs of the many outweigh the needs of the few, or the one.

The Wolverine (2013)

With an average Letterboxd score of 3.0, this movie struggles with its own identity. It begins as a realistic character study but gradually transforms into a typical CGI-filled action film. It would have been better as either a smaller, more focused story or a much larger, more ambitious one. While passable upon its initial release, The Wolverine feels unnecessary now, especially considering the existence of Logan. The only real standout feature is perhaps Hugh Jackman’s best Wolverine hairstyle.

Birdman (2014)

With an average Letterboxd score of 4.0, Birdman is a technically impressive film, showcasing remarkable filmmaking skill. However, despite its dazzling cinematography – arguably the best of 2014 – the story of a fading actor trying to revive his career on Broadway feels emotionally empty. The film’s famous long takes, which make it seem like one continuous shot, ultimately draw attention away from the lack of depth in Michael Keaton’s performance. While visually stunning, it doesn’t measure up to other standout films from that year like Boyhood, The Grand Budapest Hotel, Selma, and Whiplash.

Jurassic World (2015)

With an average Letterboxd score of 3.0, Jurassic World was a massive box office success, earning $1.67 billion globally – even surpassing the original Jurassic Park by around $500 million. While it received generally positive reviews and an “A” grade from audiences on CinemaScore, it doesn’t compare to the first film. The plot relies too heavily on incredibly illogical decisions made by nearly all of the characters.

Deadpool (2016)

The average Letterboxd score is 3.7. While many believe sequels don’t live up to the original, I actually prefer the later Deadpool movies. Of the three films, I’d rank the first one last. The second movie and Deadpool & Wolverine are funnier, have more emotional depth, and feature more surprising cameos. It seems the Deadpool franchise has improved with each installment, finding the perfect blend of elements that make it successful.

Bohemian Rhapsody (2018)

As a film buff, I have to admit, Bohemian Rhapsody is a bit of a mixed bag. It pulled in a massive $910 million globally and snagged four Oscars, including one for Rami Malek’s performance as Freddie Mercury, and even a Best Picture nomination. But honestly? It felt pretty standard for a biopic – a little too polished and safe. Director Bryan Singer didn’t really dig deep to give us any real insight into Queen, Freddie, or the challenges of being a rock star. Still, you can’t deny the music is fantastic!

Venom (2018)

Letterboxd users give Venom an average score of 2.9 out of 5. Tom Hardy delivers a strong performance playing both Venom and Eddie Brock, creating a dynamic reminiscent of classic comedy duos like Laurel and Hardy—with a darker, more violent twist. However, beyond Hardy’s acting, the movie itself is less memorable. Many viewers struggle to recall details about the villain, their motivations, or even supporting characters. Despite its flaws, Venom was a huge financial success, earning $850 million worldwide—especially remarkable considering it’s a Spider-Man spin-off that doesn’t feature Spider-Man at all.

The Menu (2022)

The average Letterboxd score for The Menu is 3.5. While most critics and viewers loved the film’s story about an exclusive restaurant and its unpleasant clientele, praising it as a clever satire, I disagree. I found it to be unfairly dismissive of both fine dining and those who enjoy it. A truly great meal can be just as powerful and emotionally resonant as a great movie – and in this case, I believe it’s even better.

The Whale (2022)

The film received an average score of 3.7 on Letterboxd. While I’m happy for Brendan Fraser and his career comeback, I don’t believe this was his best performance and wouldn’t have given him an Oscar for it. The movie felt more focused on the protagonist’s physical state than on understanding his emotional struggles, and I wasn’t entirely convinced by his performance, despite the award.

2025-10-30 17:00