
I’ve said before that what makes the Fallout series so good as an adaptation is that it works brilliantly both as a standalone show and as something fans of the games will love. Unlike many adaptations today that rely too heavily on nostalgia and obvious references, Fallout doesn’t just feel like a collection of inside jokes. (That might not sound like a big deal, but you see it a lot in video game adaptations and other reboots.) The show is genuinely good television, prioritizing its own story even when it includes nods to the games. Those references feel like fun extras, not the main focus—like enjoying a healthy dinner with a few Haribo candies on the side. So why not enjoy it?
Honestly, I couldn’t have been happier when the NCR troops showed up in Freeside! I practically jumped out of my chair – it was a total fanboy moment, especially with that shot of the NCR Ranger taking down the Deathclaw, mirroring the opening from Fallout: New Vegas. Looking back, all the fuss about Shady Sands being destroyed in season one seems a little overblown. It was clear they weren’t going to just eliminate one of the most beloved factions without a bigger plan. Now it’s setting up an epic war between the Legion and the NCR for control of the Strip – and the Legion’s opening scene with the “Caesar’s Palace” joke was brilliant! I’m guessing season three will largely focus on this new conflict, while we also follow the Ghoul’s journey to Colorado, hopefully leading to a reunion with Barb and Janey. And the Enclave? It looks like they’ve been operating in Colorado all along, and I have a feeling they’ll be the main villains by the end of next season.
This was easily the best episode of Fallout so far. It’s a powerful mix of emotions – heartbreaking, hopeful, and ultimately rewarding. I was especially happy to see Maximus finally get his moment to truly shine, with Walton Goggins delivering a fantastic performance, particularly during the fight with the deathclaws. Throughout the season, Maximus has struggled with living up to the values his parents instilled in him before they died – the belief that even in a harsh world, being a good person can make a difference. Initially, the people of Freeside doubted him and didn’t want to fight alongside him. But the fact that even a few were inspired to think about helping is a major step forward in a world focused on survival at any cost. Despite being badly injured, Max faces his enemies with a pool cue and roulette wheel, which is not only a cool scene, but shows the kind of determination that can inspire others. It’s a wonderful example of character growth, and feels like the development we’ve been waiting for since we first met Max.
Throughout the show, Josh Goggins has consistently delivered a standout performance, whether playing Cooper or the Ghoul, and has carried much of the story’s emotional weight, especially regarding the Ghoul’s search for his family. We initially attributed his increasingly cruel behavior – his monstrous actions and thirst for violence – to the 219 years he spent surviving in the wasteland. However, the finale reveals a deeper reason for his amorality: his decision to give cold fusion technology to the Enclave, potentially speeding up the world’s destruction, has left him with immense guilt. As House points out, he was unknowingly used as a tool. Despite this, the Ghoul has begun to rediscover his humanity throughout the season, showing increasing signs of mercy. The gap between the Ghoul and his former self, Cooper Howard, has narrowed considerably, demonstrated by his decision to spare Hank’s life in the vault. He not only saves Lucy from a terrible fate but also allows her to decide what happens to her father, asking, “What say you, vaultie?” Lucy has also evolved; she’s no longer the naively virtuous person we met on her wedding day in Vault 32. Experiencing the wasteland has inevitably changed her perspective.
It was clear Hank and Lucy couldn’t go back to their old lives in the vault, especially with all the craziness still happening down there. The Ghoul seems to have softened a bit, but Lucy’s time on the surface has taught her a hard lesson – you can’t trust everyone, and sometimes you have to make tough choices for the greater good. Seeing the writing on the wall, Hank tries to convince Lucy he can help her stop the Legion from destroying Freeside and New Vegas when they arrive. She insists he tell her what he’s been up to, and he reveals he’s been running a secret experiment: implanting tiny mind-control chips in surface dwellers, reprogramming them with orders set long ago. Before he can explain those orders, he activates his own chip. It’s devastating – his mind resets, and he essentially dies in Lucy’s arms, replaced by a blank slate. It’s a really bittersweet moment. She’s lost her father, but the person standing before her, in a strange way, feels more like the dad she remembers from her childhood than the man he’d become. Kyle MacLachlan and Ella Purnell absolutely nailed this scene – some of their best work in the show so far, honestly.
The biggest surprise – though somewhat expected – is that when the Ghoul reaches the cryo chambers after two centuries, the pods are empty. House uses this to mock him, saying he gambled on hope and lost. However, House overlooks the truth: the Ghoul hasn’t lost hope, but found it. He now knows his family is still alive, which gives him a renewed sense of purpose, even though he’ll have to continue his journey to Colorado with only Dogmeat. We see in flashbacks just how much Cooper sacrificed to protect his wife and child, taking the blame during an arrest by the House Un-American Activities Committee to shield Barb. He’s already endured so much searching for them, and now he’s more determined than ever. Meanwhile, Lucy and Max share a moment atop the Lucky 38, watching the Legion army prepare to attack the Strip. Lucy fears a war is coming because of her actions, and Max replies with a simple acknowledgment of the harsh reality of the wasteland. Despite a brief glimpse suggesting House is still alive, the situation remains incredibly dangerous.
Bottle Caps
We’re still uncovering details about Stephanie, but it’s now clear she’s working with the Enclave. She’s been communicating with them to start the next stage of their experiment in Vaults 32 and 33. It likely involves the Forced Evolutionary Virus, though that’s just a strong suspicion at this point.
The weakest part of the season was definitely Norm’s storyline, and the whole plot involving the Vault-Tec employees from Vault 31. Most of their scenes didn’t really add much to the story—except for the information about the FEV—and then they were abruptly killed off by radroaches. It felt a little too convenient that Claudia was the only one who survived, didn’t it?
The show is often darkly funny, but the moment when Representative Welch’s head pleads with Lucy to end her life is one of its most strangely amusing and unsettling scenes.
As a huge fan, I noticed a really cool Easter egg when House comes back online thanks to Courier! You can see his snow globe collection – the very same ones we had to hunt down for him in Fallout: New Vegas! It was such a neat little detail and a fun nod to the original game.
Even though I really enjoyed the finale, it felt a bit like a setup for the next episode rather than a true ending. Some viewers might be disappointed that the promised battle between the NCR and the Legion wasn’t fully resolved, but there’s still plenty to anticipate in season three.
It’s also strange that we didn’t see Ron Perlman’s super-mutant character again before the season ended. It seems like that storyline will likely be continued in the future.
I’m happy the show isn’t rushing to familiar locations from the games, like the areas in Fallout 4 or Fallout 3. After focusing on New Vegas for a season, and likely another, it would have felt like the show was simply checking off popular spots instead of building its own unique story within the Fallout universe. Exploring post-apocalyptic Colorado feels fresh and exciting – it’s a location we haven’t seen before.
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2026-02-04 15:56