In “Every Little Thing,” the slow-motion shots of hummingbirds fluttering through the air, perched on flower buds, or hovering at a rapid 50 beats per second are breathtakingly amazing. Sally Aitken’s nature documentary serves as a soothing respite during a time craving for inspiration. Since 2008, Terry Masear, an expert on hummingbirds, has managed a hotline, helping people who discover the vibrantly-colored, delicate, yet surprisingly brave birds injured or unconscious in their surroundings, such as pools, roadsides, or under trees. The number of calls exceeds 20,000.
Just as pilgrims filled with apprehension and anticipation, Angelenos carry cherished offerings to Masear’s residence in the Los Angeles hills. A voice on the radio describes the task as tender and emotional as the hummingbirds embark on their migration to the region where they build their nests, saying, “It’s a delicate, emotional process, rehabilitating these birds.
While Ann Johnson Prum’s captivating slow-motion images in the documentary are a sight to behold (amazing wildlife photography), those who adore hummingbirds also appreciate the sheer magnificence of their speedy flight, the quick buzz and snap that lets you know they’re nearby.
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The mesmerizing slow-motion shots in the documentary, thanks to Ann Johnson Prum’s excellent wildlife photography, are truly captivating (stunning), but hummingbird enthusiasts would argue that there’s just as much wonder, if not more, in the speed of their flight and the telltale sound they make when close by.
Similar to several contemporary animal documentaries, the film’s charm largely stems from the human-animal interaction: specifically, the short yet profound bond between Masear and her charges, as well as those who rescue them. Not only does the curly-haired, polo shirt-wearing wildlife rehabber serve as a guide for those finding distressed birds, she frequently eases their fears. A young woman named Sidney presents two hatchlings to Masear’s home. Known by Masear as “The Sidney Twins,” these newborns are still nestled in a miniature nest, which is itself attached to a branch and placed within a box. As she inspects the pair, Masear affectionately notes strands of Sidney’s blond hair woven into the nest.
During the bustling period from April to July, she finds herself occupied. She guides a man named Alejandro through a predicament: A bird has invaded his residence and is persistently hitting against the skylight. The tales of Jimmy, the twins, Charlie, and Raisin are filled with emotion. The adorable little bird, Cactus, appears to have been pricked by a porcupine; it had an encounter with a cactus and the spines have punctured its wings. As Masear tells the filmmaker, the outlook for Cactus is “quite grim.
In 2015, Masear published the book “Fastest Things on Wings: Rescuing Hummingbirds in Hollywood,” which served as a source for the movie. Aitken takes this inspiration and translates it into a new version, maintaining the authenticity of earlier discoveries. Just like Sydney’s golden hair strands in a nest, Masear’s biography is intertwined within the storyline.
The movie starts off showing a girl playfully running down a rocky slope, much like a hummingbird in slow motion. Aitken entices us with poetic visuals early on. It isn’t until close to halfway through that Aitken delves into Masear’s backstory in a more conventional manner. Born and raised in rural Wisconsin, Masear felt restless. In search of something new, she moved to Los Angeles – a city with no limits, where she met her husband, Frank. There seems to be a deeper tale about the couple that may have led to Masear’s charitable work.
She admits, albeit with a hint of doubt, that she avoids forming attachments due to the heartache it brings. Naming something establishes a connection, and viewers can’t help but develop feelings for Jimmy, Charlie, Raisin, Mikhail, Alexa, and Cactus. Even Sugar Baby, whose wings are close to falling apart due to improper care by its rescuer, evokes strong emotions. However, not everyone who seeks Masear’s help is truthful about how the birds came to be injured, which frustrates her. “This bird,” she notes, “is a reflection of their disregard for all nature.
There’ll be comings and goings, but this film is filled with warmth and optimism, even as it tackles setbacks and breakthroughs. Later on, Masear reflects, “I don’t gauge the success of the rescue by its result, but by the empathy involved.
Masear expresses philosophically, “Life is built upon one metaphor after another.” However, she and her director, who’s famous for “Playing With Sharks” (a documentary with a female lead), recognize that learning from animals doesn’t always require anthropomorphizing. Nevertheless, they allow for our inherent inclination to find patterns and tell stories. The documentary, “Every Little Thing,” provokes insights and a feeling of wonder as it highlights particular characters while also venturing towards broader connections. Drone footage showcasing Los Angeles from above not only emphasizes the city’s grandeur but also the charm of its tiny inhabitants who call it home or a pitstop.
In this film, the enchanting musical score, often crafted alongside Aitken by Caitlin Yeo, sparkles with the hint of something wondrous. True to form, it consistently delivers on its allure. Initially, Masear reassures a tiny traveler named Wasabi that they are completely secure, safe beyond doubt. By the film’s conclusion, Masear’s unwavering dedication and compassion have transformed this assertion into an inviolable and solemn pledge.
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2025-01-10 04:16