‘Blue Moon’ Review: A Shimmering Script About Ol’ Broadway Struggles to Accommodate the Wrong Star

During this phase of Hart’s life, he wasn’t particularly joyful, but despite his charismatic and intelligent demeanor reminiscent of a showman blended with a queen of shows, it’s the underlying depths of insecurity and self-hatred that make him an intriguing figure. His quick wit seems to be masking these feelings. Singer Mabel Merced once noted that he was “the saddest man I ever knew,” which serves as a prelude for an intensely dramatic 90 minutes.

Aunjanue Ellis-Taylor Celebrates Birthday and Honors Keke Palmer at ABFF Gala!

At the awards ceremony, Ellis-Taylor was one of the distinguished recipients, not only celebrated for marking another year in life, but for providing yet another year of exceptional performances, including those seen in the Academy Award-nominated best picture “Nickel Boys.” Despite the attention focused on her, Elllis-Taylor appeared more eager to distribute the accolades to her fellow honorees rather than accept them herself.

At the awards event, Ellis-Taylor was one of the select honorees, not only praised for reaching another birthday milestone, but for delivering a year filled with captivating performances, such as in the Oscar-nominated film “Nickel Boys.” Instead of enjoying her well-earned recognition, she seemed more inclined to share it with her fellow honorees by giving them flowers.

LuckyChap Adds Veteran Exec Milan Popelka as Partner – Film News in Brief

With more than 15 years under her belt as FilmNation’s Chief Operating Officer, Popelka has played a significant role in many of the company’s critically-acclaimed productions. She served as executive producer for films such as “Anora” and “Conclave,” which are currently Academy Award-nominated, along with “Arrival” and “Promising Young Woman,” a LuckyChap production.

John Malkovich Rejected Marvel Offers Because of Bad Deals: ‘If You’re Going to Hang From a Crane in Front of Green Screen for Six Months, Pay Me’

Malkovich stated that the fact he didn’t participate had nothing to do with artistic reasons. He simply disliked the business arrangements and found the projects extremely demanding. If he was expected to dangle from a crane for six months in front of a green screen, he wanted fair compensation. If they weren’t willing to pay, that was fine, but he didn’t want to participate because he’d rather be performing on stage, directing a play, or engaging in some other activity.

Iranian Oscar Nominees Face Uncertain Future Amid Government Funding Pullout

Regardless of their movie’s successful festival screenings and an Oscar nomination, the pair has been excluded from attending in-person campaign events due to not being granted U.S. visas. Additionally, funds promised for public support have been withdrawn, making it challenging for them to travel internationally with ease.

Or simply:
The movie duo missed out on Oscar campaigning events as they couldn’t secure U.S. visas and had their funding pulled, limiting their international travel options.

Searchlight Hires Lucasfilm Vet Rayne Roberts as SVP, Production and Development (EXCLUSIVE)

For a span of twelve years, Roberts held the position of vice president of development at Lucasfilm. During her tenure, she played a significant role in creating and producing various installments of the “Star Wars” saga, such as “The Force Awakens,” “Rogue One,” “The Last Jedi,” and “Solo.” Additionally, she contributed to the development of the Disney+ series “The Acolyte.