Movie and TV show reviews

The movie “The Unbreakable Boy” portrays Austin, not in spite of his autism but because of it, as a troublesome child who is surprisingly a beacon of life, someone who attracts others. In a sense, he’s detached from reality, living in a world of his own. However, at the same time, he’s incredibly attuned to the world around him, almost as if he’s more deeply immersed within it than we are.

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The film “The Unbreakable Boy” shows Austin, not despite but because of his autism, as a challenging child who is in reality a vibrant soul that draws people towards him. Although he often appears disconnected from the world, almost living in a world of his own creation, at other times, it seems as if he’s more connected to the world than we are, being closer to its essence than we can ever be.

Despite expressing his desire for a “Constantine” sequel since 2019, Reeves now believes the script for “Constantine 2” is ready: “We’ve been striving to create this movie for over a decade, and we just recently came up with a story and presented it to DC Studios. They agreed, so we’re going to attempt writing the script.

McElhenney shared that his initial acting job in a movie was among the most embarrassing and distressing events of his life during an interview on ‘Hot Ones’. He had the opportunity to work alongside stars like Harrison Ford, Brad Pitt, Julia Stiles, Rubén Blades – a fantastic lineup of talented actors.

Bess remarks, “Day by day, we seem to accept a form of subtle wickedness – issues like wealth disparity or discrimination based on sex, race… It’s just there, and life carries on. Each day I see someone homeless on the street. As an independent filmmaker, I don’t have much wealth, but I could potentially make a difference in that person’s life, if not improve it significantly. That’s where the idea of ‘hell’ originates from here; there’s this clear injustice, and the one who decides to act against it is seen as unusual.

Throughout “Zero Day,” Lizzy Caplan’s character, Congresswoman Alexandra Mullen (formerly the First Daughter), had been a mystery. However, it was eventually revealed in the final moments of the Netflix political thriller that she was indeed responsible for the catastrophic cyberattack causing widespread fear and an existential crisis. Interestingly, this shocking twist unfolds early in the finale, with Robert De Niro, making his first significant foray into television, portraying President Robert Mullen, a retired populist leader who steps back into politics to head a commission investigating the nationwide power outage.

Throughout much of my life, I’ve been immersed in films depicting political oppression. However, none has ever left me with such an icy shiver as “I’m Still Here” did. While many movies can be powerful, this one was different. It wasn’t just the movie itself or its first hour that struck me; I’ve seen my share of impactful political films. What truly unsettled me was contemplating a narrative of repression like this and pondering if it could potentially unfold in America – a question I had never before felt compelled to consider. It was an uncomfortable realization that made me question the state of our country’s future.

As a born-and-bred Angeleno, I embarked on my comedic journey with the LA-based troupe “The Groundlings”. It was there that I crossed paths with Peterson and my future partner in crime, Paul Reubens, from “Pee-wee” fame.

Unaware that they had consumed magic mushrooms at Doomcoming (first season), the Yellowjackets have recently discovered another mind-altering agent in the wilderness – toxic fumes.

Movies such as “The Day of the Jackal,” “Le Samouraï,” and more recently “The Killing of a Sacred Deer” served as creative influences for him. Laura Karpman, an experienced composer known for her work in the Marvel Cinematic Universe with titles like “The Marvels” and “What If?”, drew upon this experience. “There was a piece from ‘Ms. Marvel’ that played over the train sequence,” she explained. “It started and continued, and I thought to myself, ‘I want to create music that starts the relentless motion and maintains it,'” she said.

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Movies like “The Day of the Jackal,” “Le Samouraï,” and “The Killing of a Sacred Deer” were among his sources of inspiration. Composer Laura Karpman, who has worked on projects such as “The Marvels” and “What If?” in the MCU, utilized her experience. She reminisced about a piece from ‘Ms. Marvel’ that accompanied the train sequence, which started and persisted. This sparked an idea: “I want to write music that initiates the unstoppable momentum and keeps it going,” she said.

In a post on X, Abbasi expressed his intention to tackle the latest news pieces concerning him honestly and straightforwardly. He acknowledges that his actions may have caused discomfort to someone, irrespective of his motives, and for this, he sincerely apologizes.