Lock boasts over two decades of expertise in Visual Effects (VFX) and animation, having worked with companies such as Framestore, Aardman, and Lucasfilm/ILM. His VFX producer roles include notable projects like “Star Wars: The Force Awakens,” “Rogue One: A Star Wars Story,” and “Ready Player One.” Lock was also honored with a BAFTA children’s award for his stop-motion short-form program, “Purple and Brown.
The 1970s represented an era dominated by pianists, with figures such as Billy Joel, Elton John, Chick Corea, Herbie Hancock, Jan Hammer, and Jarrett being notable examples. While Keith Jarrett’s albums like “Solo Concerts: Bremen/Lausanne,” from 1973, showcase more technical flair than “The Köln Concert” (with its contrapuntal elements reminiscent of J.S. Bach but with a gospel feel), it’s “The Köln Concert” that encapsulates the laid-back spirit of the time. Despite its lively energy, it radiates a calming, soothing ambiance. In certain moments, it evokes the tranquil atmospheres that made George Winston, the new age pianist, popular, and in others, it resembles an impressionistic painting capturing the most stunning sunset you’ve ever seen. As a pianist, Jarrett was like a soulful blend of Rachmaninoff and a free-jazz emoter. In “The Köln Concert,” he crafted an exuberant improvisation that has been listened to for half a century as a form of relaxation, offering music for blissful contemplation.
In Baldoni’s lawsuit, it’s alleged that Leslie Sloane – a representative for Lively and her husband Ryan Reynolds – deliberately spread harmful lies claiming that Baldoni is a sexual predator. This was reportedly done to divert focus from Lively’s conduct on set.
The movie tells the tale of three companions embarking on a journey to Los Angeles, fueled by the misconception that their band will share the stage with Green Day on New Year’s Eve. It’s inspired by the real-life adventures of California punk rockers during their early days while touring in a van.
The crime thriller, filmed in Hawaii and being pitched to production companies and streaming platforms, is being likened within the industry to “The Departed” and “Goodfellas.” However, no agreements have been made yet, and the success of the project hinges on a distributor, as reported by several insiders knowledgeable about the project. The upcoming drama will be penned by author and journalist Nick Bilton, who was also behind the 2021 HBO documentary “Fake Famous.
The narrative unfolds through grainy and slightly out-of-focus footage, as struggling thirty-something poet Donghwa, portrayed by Ha Seongguk, drives girlfriend Junhee (Kang Soyi) to her parents’ supposedly modest suburban home on a hill. To his surprise, the residence turns out to be far grander and expansive than expected. At first, it seems Donghwa isn’t invited inside, but an unexpected encounter with Junhee’s father, Oryeong (Kwon Haehyo), a man who takes pride in his politeness, transforms the casual visit into an extended meeting-the-parents scenario, revealing layers of complexity.
On Thursday, March 20th, the universes created by Ryan Murphy for the shows “9-1-1,” where Angela Bassett plays LAPD sergeant Grant, and “Doctor Odyssey,” starring Joshua Jackson as ship doctor Bankman, will merge in a unique crossover episode. This event brings together the dramatic storylines of these two soapy, one being land-based and the other sea-focused, medical dramas.
In this role as a dedicated fan, I’m thrilled to share that Omar Sy will be steering the course of an upcoming series, nestled within the same captivating universe as the Netflix film franchise. This intriguing production has been greenlit for eight compelling episodes by our beloved streaming colossus, Netflix. If you recall, the initial “Extraction” movie, featuring the mighty Chris Hemsworth, dropped on Netflix screens in 2020. Fast forward to 2023, and we saw Hemsworth reprising his role in the sequel. These action-packed films were adapted from the graphic novel “Ciudad” by Ande Parks.
The upcoming “9-1-1” spinoff, titled “9-1-1: Nashville,” is set in Tennessee and is expected to delve into the professional and personal lives of a first responder team, similar to the original series and “Lone Star.” Joining Murphy as executive producers for this new venture will be Angela Bassett, who plays a role in the main series. Additionally, Tim Minear, Rashad Raisani, and Brad Falchuk are also on board. Notably, Minear and Raisani will contribute to the series’ script alongside Murphy.
The Gathering is set to unite politicians, influential minds, and figures from the film and television world for a debate on the industry’s future. Its purpose is to facilitate conversations across various sectors, empowering prominent figures to tackle critical concerns in documentary filmmaking and media broadcasting, particularly their significant impact on shaping public discussions, as stated.