The Evil Queen is a hugely popular character at both Disneyland and Magic Kingdom. Villains are often more fun to watch than heroes because they can be playfully mean and sarcastic. That’s why many fans were upset by a recent viral TikTok video where the Evil Queen, from Snow White, suggested she wouldn’t be appearing at the park after the Halloween season ended.
It’s unusual to see this happen so close to Halloween on the 31st. It seems Disney doesn’t anticipate many visitors before the holiday itself.
The documentary Devil in Disguise begins in 1978, following the police search for 15-year-old Robert Piest. The investigation soon focuses on John Gacy, a construction company owner who presented himself as a devoted family man, despite having a criminal record. It ultimately leads to the discovery of the remains of 33 young men and boys buried beneath his house. However, unlike other portrayals of Gacy, Devil in Disguise doesn’t focus on the details of the crimes or his more sensational activities, like his work as a clown. Instead, it centers on the stories of his victims.
DC Comics launched Absolute Wonder Woman in October 2024. Written by Kelly Thompson with art by Hayden Sherman, the series presents a unique take on Wonder Woman’s origin story. Instead of being raised on the island of Themyscira as a warrior, this version of Diana Prince was raised in Hell by the witch Circe, giving her a more magical and mystical background.
Okay, so the ending of A House of Dynamite is… something else. Basically, the movie keeps revisiting this same 20-minute crisis from different angles within the government, and just when you’re waiting to see what the President – Idris Elba, by the way – is going to do about this rogue nuclear missile headed for Chicago, it cuts away! We don’t see the missile hit, we don’t see the US respond, and honestly, we have no idea if this thing escalates into a full-blown nuclear war or if things somehow calm down. Instead, the movie ends with a bunch of ‘designated survivors’ – people who are supposed to rebuild society – heading into a bunker in Pennsylvania, just waiting to see what happens. It’s a really unsettling and open-ended finish, let me tell you.
The movie, which came out on April 16, 2010, started as a comic book series. It was first published by Marvel’s Icon Comics and later moved to Image Comics. Many fans consider it one of the most grounded and realistic superhero films ever made. The story follows a clumsy teenager who tries to become a real superhero, even though he doesn’t have any special abilities. While the idea seems straightforward, director Matthew Vaughn – who later directed X-Men films – transformed it into a thrilling and action-packed movie that quickly gained a dedicated following.
Jenna Ortega has previously captured the look of classic Hollywood glamour, and she did it again at the 2025 InStyle Imagemaker Awards. This time, she showcased a beautiful vintage-inspired style with a modern twist. She wore a sheer dress and a faux fur stole, creating a look that perfectly embodies the elegance of old Hollywood.
Netflix released a new Korean film called Good News on October 17th, featuring Sul Kyung-gu, Hong Kyung, and Ryoo Seung-bum. The movie blends black comedy, political themes, and thriller elements. It appears this unique combination is resonating with viewers, as Good News has quickly climbed into the top 10 on Netflix’s list of non-English films.
While many films have brilliantly brought historical events to life, some haven’t quite hit the mark. These films often try to offer a fresh and nuanced portrayal of their main characters, and creative liberties are essential – though not always successful. Thankfully, the films listed below are all exceptional examples of their genre, delivering a consistently strong experience from beginning to end.
The film also reveals a different side of Springsteen – a powerfully intense performer who throws himself completely into his shows, even at smaller venues like the famous Stone Pony in Asbury Park. The director emphasizes both this energetic side and Springsteen’s more solitary, introspective nature, creating a fascinating tension throughout the documentary. This push and pull between these two sides of his personality hints at deeper truths about the creative process and his struggles with depression. While Springsteen doesn’t explicitly address these issues – perhaps lacking the words to do so despite his incredible songwriting ability – the film suggests he’s someone who needs support.