As a film enthusiast, I’m excited to share that the upcoming comedy special I’ll be part of is titled “Postmortem.” This heartfelt yet hilarious production will find me exploring the complexities of grieving my beloved parents. Catch it exclusively on Netflix starting May 20th.
The renowned NBA player and co-owner of the Atlanta Hawks is set to assume extra sports broadcasting responsibilities under a fresh agreement with Warner Bros. Discovery’s TNT Sports. Starting from this contract, Hill will remain the primary game commentator for TNT Sports and CBS Sports during their joint coverage of the NCAA Division I Men’s Basketball Championship. However, he will also join the team covering Big East and Big 12 basketball, as Warner Bros. Discovery plans to start broadcasting these leagues during the 2025-26 season.
Hub’s latest project is filled with over-the-top gory scenes and introduces a vibrant array of eccentric characters. He already has a harshly Bostonian adversary, Lucky (Damon Herriman, delivering a regrettable Australian accent), who is his ex-wife’s current partner; now he also has a boss, Midge (Jolene Purdy), who collects souls for Satan alongside her home bakery. This blend of the sacred and the profane brings to mind “Preacher,” the AMC series that was itself an adaptation of a Garth Ennis comic from the ’90s. The creators, Grainger David and Erik Oleson (“Daredevil,” “The Man in the High Castle”), are developing their own concept but draw inspiration for the tone from another source.
Earlier this year, creative authority over the James Bond franchise was transferred to the studio following the decision of long-term producers Michael G. Wilson and Barbara Broccoli to take a step aside. Amy Pascal and David Heyman are now on board to manage the production of the upcoming film in the 007 saga.
Initially, it may not be immediately apparent that Ayman Mohyeldin, Elise Jordan, Catherine Rampell, and Antonia Hylton share many similarities. Each individual possesses a unique professional history that sets them apart from the others. Hylton gained prominence by working for emerging news platforms such as Mic and Vice.com before moving to NBCUniversal. Rampell has established herself as an economic analyst at The Washington Post, in addition to being a regular contributor on various talk shows like CNN’s “News Night” and HBO’s “Real Time.” Mohyeldin initially gained recognition through his news reports for NBC News in the Middle East. Jordan, meanwhile, has worked with Senator Rand Paul and former Secretary of State Condoleezza Rice.
The movie marked the inaugural screening of a Marathi-language film at Sundance, and it became the first Indian fictional film to secure the World Cinema Grand Jury Prize for Dramatic Film.
From Thursday through April 6th, the festival will be hosting 14 public screenings, featuring a total of 35 selected titles from among 100 submissions. For the executive producer of the festival and director of film and television at Huntington, this event provides a distinctive platform to spotlight production possibilities available in Long Island.
The donations will be utilized for the refurbishment of Sala Oscarito, the Cinematheque’s initial screening room located at its present premises, which was first opened in 1997. This overhaul aims to bring the venue in line with current legal requirements, improve the technical facilities, and install a sophisticated climate control system, thus ensuring accessibility and cutting-edge technology.
In an interview with The New York Times, composer Tapia de Veer, hailing from Chile and based in Quebec, revealed conflicting ideas about the theme song between seasons 1 and 3, particularly during filming in Thailand. De Veer’s eerie theme for HBO’s hit series won a Creative Arts Emmy Award in 2022 and significantly contributed to the show’s dark and unsettling ambiance through the use of peculiar sounds, such as a persistent ‘ooh-loo-loo-loo’ chorus. However, White expressed disapproval from the beginning, as shared with The New York Times by de Veer. White desired “background music” or a song reminiscent of club tunes in Ibiza, while de Veer’s composition was more mysterious and unsettling. In season 3, White successfully transformed the theme song into a more conventional lounge tune, omitting the ‘ooh-loo-loo-loo’ chorus, which has sparked mixed reactions among fans of the show.
On their latest podcast, the celebrity shared that listening to the theme tune, which is by The Rembrandts and was first released as a single back in 1995, throughout all 10 seasons of the popular series and beyond has been quite sufficient for them.