Movie and TV show reviews

Actor Terrence Howard will join the already-announced cast members Javier Bardem, Amy Adams, and Patrick Wilson for this upcoming series. The 10-episode production draws inspiration from both the John D. MacDonald novel “The Executioners,” which served as the foundation for the 1962 Universal Pictures film “Cape Fear” starring Gregory Peck, and the critically acclaimed 1991 remake directed by Martin Scorsese and produced by Steven Spielberg, featuring Robert De Niro and Nick Nolte in the main roles.

6.2 million people watched last Sunday’s episode of the HBO drama, which represented a 30% increase compared to the previous series peak of 4.8 million viewers, achieved only the week prior. These figures encompass both the viewership measured by Nielsen on HBO’s cable channel and the streaming data from Warner Bros. Discovery’s Max platform.

In the movie, directed by Anderson along with Roman Coppola, the storyline revolves around a black comedy spy film. Benicio del Toro is the main character, portraying Zsa-zsa Korda, a wealthy entrepreneur and father of ten. The plot, while not entirely clear from the trailer, appears to involve Korda embarking on a “land and sea infrastructure project.” Accompanying him on this venture are his daughter, who is a nun (played by Mia Threapleton), and his tutor (Michael Cera). The film promises a variety of intriguing characters and should be an enjoyable experience for fans of Anderson’s work.

The story opens with sullen teenager Quinn (Katie Douglas) and her strained relationship with her melancholic father (Aaron Abrams), who relocate to a small, deteriorating Midwest town following the closure and arson of its corn syrup factory. Upon befriending a band of delinquent peers, a clown reminiscent of Frendo, the factory’s mascot, starts haunting the town and menacing Quinn and her companions. However, around halfway through the film, there’s a scene that subverts typical horror movie conventions so skillfully that it serves as a complete shift in perspective for the viewers.

As a movie buff, I’m excited to step up as the guide for the teams handling Comcast’s domestic residential ventures, encompassing product development and the strategic branding of Xfinity across TV, broadband, and wireless. This role also includes overseeing sales, marketing, acquisition, retention, and base management. I’ll be reporting directly to Steve Croney, who’s now the COO of Comcast’s Connectivity & Platforms division, a powerhouse that serves more than 64 million homes and businesses in the U.S.

This year, I’m part of a project lineup that includes: Folyan’s “Flowing with Blessings,” which delves into an organization offering mobile laundry and shower facilities to Atlanta’s homeless community; Limbal’s “Between Oceans,” focusing on the lives of Black women immigrants from the Caribbean who annually leave their families behind for seasonal jobs in the U.S. via the H-2B temporary worker program; and Nick’s “All My Friends,” a poignant coming-of-age documentary that examines how a diverse group of youth deal with the heartbreaking loss of a friend, who was also the director’s daughter, at 16.

Under Levine’s leadership, they report directly to Ravi Ahuja, the president and CEO of SPE. In this position, Levine will spearhead strategic growth efforts while managing corporate development, investments, mergers and acquisitions. Additionally, they will have direct oversight of various Sony Pictures Entertainment businesses and departments.

Nina Kunzendorf plays the role of Senior Detective Barbara Kramer, who heads a growing special investigation team as they meticulously gather evidence over several months. Amid escalating public scrutiny and suspicions linking this case to another in Austria, she remains steadfast.

On the final episode of White Lotus’s HBO drama season on Sunday, Laurie was prepared to leave her adventure behind. Similarly, Carrie Coon was eager to go home. In fact, she mentioned to EbMaster on Monday that the shooting process wasn’t a breeze.

I’m thrilled to announce that we’ve acquired Gravitas Ventures, which gives us access to more than 3,300 films and TV shows, including scripted, non-scripted, and sports-related content. While we’ll maintain our unique identities as Shout! Studios and Gravitas Ventures, each of us will distribute content from our respective catalogues independently. This strategic move will allow us to expand our reach and offer even more diverse and engaging content to our audiences.