Cillian Murphy recently confirmed to The Times that he will not be playing Voldemort in the upcoming HBO Harry Potter series. He stated firmly, “I’m categorically not. Please, make that the headline!”
As a big fan of Tracker, I was really hooked by the midseason finale of season 3. It brought Keaton back, and this time he was the one needing help. He’s retired from the police force now, but he was desperate to find out what happened to his old partner. Naturally, he turned to Colter – the guy’s a master tracker, so it made perfect sense. But things quickly got way more complicated than anyone expected. The season ended on a huge cliffhanger in 2025, leaving us wondering if Keaton would even survive, and the new episode, “Fallout,” seems to directly deal with that possibility.
The Martini Shot is a deliberately paced drama that doesn’t quite fully explore the complex relationship between movies and real life.
While discussing the 10th anniversary of Batman v Superman: Dawn of Justice, Zack Snyder responded to persistent fan requests for him to finish his planned DC storyline. When asked by Josh Horowitz about the dedicated fans still hoping to see his vision for Justice League 2 and 3 completed, Snyder addressed their continued support.
Writer Scott Snyder shared the cover art by Nick Dragotta for issue #19. The image shows Scarecrow’s reflection in Batman’s batarangs. At first glance, Scarecrow looks strangely calm, dressed in a suit and hat reminiscent of the 1920s. A closer look reveals unsettling details: his eyes appear as buttons, and thread-like lines extend across his widely opened, fractured mouth.
The latest Scream movie, directed by Kevin Williamson who also wrote the first films, earned $64.1 million in the US and Canada from 3,540 cinemas. This breaks the previous record of $44.4 million held by the 2023 film, Scream VI. Including $33.1 million earned internationally, the film has already made $97.2 million worldwide – the biggest opening weekend in the Scream series’ history.
The show portrays capitalism as a dangerous and unsettling system, constantly threatening to expose hidden problems. In the season finale, the consequences of the fraudulent company Tender are fully felt. Whitney Halberstram has escaped, leaving Henry Muck to face legal trouble. The British government appears weak for having supported Tender, potentially benefiting extremist politicians. Meanwhile, Henry’s wife, Yasmin, has taken control of Whitney’s exploitative scheme, ironically becoming involved in the same harmful behavior she once despised. Harper Stern profits from the collapse of Tender, enjoying a luxurious lifestyle, but finds herself isolated after losing her close relationships with Eric Tao and Yasmin.
At the beginning of the fourth season of Industry, Sir Henry Muck (Kit Harington) is struggling deeply. He’s using heroin and lost after being fired from Lumi and losing his position in Parliament. He’s tormented by his father’s suicide, a memory that becomes more painful as his own 40th birthday approaches. He also feels guilty about not being there for his wife, Yasmin (Marisa Abela). This leads to a suicide attempt in the second episode, “The Commander and the Grey Lady,” but he stops when he thinks he hears Yasmin calling his name. This moment becomes a turning point, motivating him to get sober and take control of his life. Encouraged by Yasmin, he meets Whitney Halberstram (Max Minghella), the founder of the banking app Tender, and becomes its new CEO, fully embracing the role as the company’s public face.
Did the season finale feel like a natural conclusion to the show’s thrilling storyline, or did it veer off course to focus too much on character arcs? It’s a bit of both, actually. Industry is growing more ambitious as it explores the serious consequences of its characters’ selfish actions. While the show has moved beyond the typical setting of London’s financial district, it continues to draw inspiration from current events – like the Bulb energy bailout, the Wirecard scandal, and various high-profile cases involving Russian assassinations, Jeffrey Epstein, and the rise of populism. Paradoxically, the more fictional Industry becomes, the more it reflects real-world issues.
Whenever accusations fly on this show, Stacey often finds herself in the spotlight, labeled as a liar. However, the evidence presented to support these claims is usually unclear and confusing. The episode starts with Monique showing a video, but it’s hard to understand what it even depicts – that’s the core of the problem. It appears the video supposedly shows Stacey talking about Monique filming with her children, which Chris claims violates a legal agreement. But without knowing the full story, we have to rely on the other cast members’ reactions to gauge how serious this is, and honestly, I don’t trust their judgment. It seems Monique is accusing Stacey of being the reason for the legal notice, but Stacey denies it, and another cast member, Keiarna, tries to bring up a related issue, only to be ignored. I need more than just shocked facial expressions to believe Stacey did something truly wrong. While I think she and Chris flirted, if this information is coming from him, I doubt its accuracy. It feels like this attempt to discredit Stacey will ultimately fail, frustrating the rest of the cast. However, as Wendy pointed out, things could change next season, and Stacey might finally face consequences for her pattern of not being fully truthful.