As a devoted fan of intricate spy dramas and gripping narratives, I found myself utterly captivated by the premiere of Black Doves. The series, set against the backdrop of a chilly Christmas season, masterfully weaves together the complex lives of its characters with an enigmatic air that leaves you yearning for more.
Greetings at Black Doves! Here, the renowned actress Keira Knightley portrays a historical figure’s fiercely independent woman, while Ben Whishaw lends his voice to the ever-polite Paddington Bear. In this series, they play Helen, a politically married woman skilled in knife work, and her friend Sam, a retired assassin drawn back for one final mission to safeguard Helen. This swift-moving, genre-defying show, which I’ll call Banter & Bullets, was renewed for a second season even before its Netflix debut, so you’re welcome to delve into the characters’ lives and their struggle to survive and seek vengeance against London’s most dangerous, clandestine villains.
Prepare yourself for a thrilling and meaningful journey, especially considering the intricate setup of London just before Christmas. Many stories about hidden worlds suggest that every location has two faces: its visible one and the tumultuous, violent world lurking beneath. For London specifically, this duality forms the foundation of Guy Ritchie’s work, fuels the plot of AMC+’s “Gangs of London,” and is most crucial for the series, as it serves as the backbone for creator and showrunner Joe Barton’s overlooked, darkly romantic family drama “Giri/Haji.
The first episode effectively kicks off by presenting us with our potential protagonists and their supervisor, Reed (played by Sarah Lancashire, always a pleasure to watch), as well as outlining the high stakes that range from intensely personal to planet-threatening. The initial installment accomplishes these objectives swiftly, ensuring the expository elements neither slow down the pace nor diminish its impact. Furthermore, setting it during the holiday season is both smart and strategic; while we see charming Christmas decorations and joyous gatherings, there’s always a sinister plot brewing nearby.
At its onset, the novel “Black Doves” raises several intriguing queries concerning the careers of assassins and spies: is it possible for them to maintain success in their field as they reach middle age, or is this line of work essentially suited for the young? It’s ironic that those attracted to secretive, often morally ambiguous work must possess a keen intellect and thirst for knowledge to excel and survive in their high-risk profession. However, these same qualities may also lead them to grapple with existential doubts during their journey.
Upon encountering her, it’s clear that Helen (Knightley) has dedicated a decade to covert operations under the alias Black Dove. Her husband, Andrew Buchan from Broadchurch, has swiftly climbed up the ranks in the Conservative Party and now holds the position of Defense Secretary. This promotion has boosted Helen’s reputation as well. She is an outstanding agent, excelling in the subtle aspects of her role such as managing family affairs with grace and elegance – we witness her comforting Wallace regarding the mysterious death of the Chinese ambassador before whisking him and their twin children, Jacqueline and Oli, off to their annual Christmas party/charity event in a cab. However, Reed has noticed signs of fissures in Helen’s seemingly flawless competence.
Over the past few weeks, Reed, who values both his agent and their organization’s income greatly, has kept a close eye on Helen due to her frequent, unusual meetings with a deceased Justice Department civil servant, Jason Davies, who was young and good-looking. This secretive and nonpartisan organization that Helen works for has relied heavily on her intel over the past decade.
Additionally, it’s worth mentioning that prior to Helen sharing a meal with Jason the day before, Jason had encountered jewelry store employee Maggie Jones and tabloid reporter Philip Bray. Tragically, both Maggie and Philip have since met their demise, with causes ranging from slit throat to strangulation and sniper fire. It’s evident these deaths were no accident, but as of now, London’s Metropolitan Police haven’t linked the three cases together.
Typically, such a scenario would be an excellent chance for the Black Doves to turn straw into gold, given their unwavering allegiance to their profit margin and their practice of selling to the highest bidder. However, Helen’s ties with Whitehall and Number 10 hold everlasting value, especially in this specific instance. These connections could offer a wealth of information and a significant competitive edge to whoever acquires her intelligence.
I’m currently struggling, as I’m far from my best right now. With only the stern and (not unfairly) enraged Reed for comfort, I’ve been channelling my sorrow into actions that Reed cautioned me against when he informed me about Jason’s death. Instead of staying put, I find myself at Jason’s apartment, meticulously sifting through his possessions. This quiet exploration is abruptly disrupted by two undercover officers who turn out to be assassins. I manage to defend myself against them with an unexpected level of agility and knife skills, holding them off until Sam intervenes.
It appears that Sam and Helen have a lengthy, fruitful partnership behind them, and while they haven’t fully utilized their connection yet, things seem optimistic. They argue playfully and are overjoyed to reunite, making it clear that Sam is in London at Reed’s request to safeguard Helen, not to retire her. Although Sam was hesitant to return to London from his voluntary exile in Rome, Reed’s insistence was almost considerate. Sam would only return for Helen, and as Reed points out, he owes her a significant favor. The exact details of the debt are undisclosed at this time, but it seems substantial.
In my perspective, it’s fascinating to notice the shared trait between these two individuals – a profound romanticism that, in their professions, can be perilous. This characteristic surfaces as a significant contributor to Sam’s melancholy during a peaceful dinner with his long-absent friends Arnie and Zack. Despite his seven-year silence, they continue to harbor affection for him, filling him in on the latest developments of his ex-lover Michael, who has since moved on, fathering a child through surrogacy. As for Helen, she seems almost defiant when discussing her relationship with the doomed Jason with Reed, stating that it wasn’t work-related; it was love. This love affair, as it appears from flashbacks of their time together, seemed to be the one thing that was uniquely hers. She cherishes her children dearly, and there seems to be genuine affection between her and Wallace. However, she can’t ignore the fact that her entire family life exists solely due to her profession. In the absence of the operation that has become a lifelong mission for her, who is she, and what is she doing there?
In nearly every episode, “The Americans” emphasized that enduring success in extensive missions like Helen’s necessitates a solid working relationship founded on trust. It was essential for Philip and Elizabeth Jennings, who had served the KGB’s Directorate X for almost 25 years, to have each other as confidants and sources of support. For the past seven years, Helen has been largely alone in her political wife role, but Sam was the one with whom she could be most authentic, and eventually, under specific circumstances, so was Jason.
Instead of Reed, we can say “Contrary to what one might expect, Reed isn’t solely about management. Despite her stern demeanor, she truly shows concern for her unruly subordinates. Although comparisons can be drawn between Lancashire and other formidable women who excel in espionage (such as Dame Judi Dench as M in three of the last four Bond films and Margo Martindale as Claudia in The Americans), she adds unique touches to her character. One of her preferred locations for meetings with Helen is a cinema, where she purposefully selects a showing of Brief Encounter (a classic British film about strangers who engage in a clandestine affair after an unexpected encounter) for their rendezvous. Her attire is unremarkable in shades of beige, gray, and cream, but her hair, styled in a bob, has a touch of elegance reminiscent of Tudor-era gable hoods or a nun’s veil.
Prior to attending Arnie and Zack’s house for dinner, Sam makes a quick detour to a guitar shop or gun store owned by an experienced old-timer named Bingo (portrayed by Rat Scabies from The Damned!). Here, he takes some preliminary steps in the investigation of Jason’s murder, locating a bullet casing that could have been fired from the suspected sniper’s position. Despite being a bit out of practice — getting noticed by Arnie near the illegal weapons depot was careless and potentially hazardous for both — Sam appears fully committed to his task, which is commendable. After a few drinks and a line of cocaine during the evening, he gets information about Jason’s shooter, but as a professional, he manages to maintain his focus, leaving the gathering to return to the streets later to pick up Helen from her home.
Closing Doors, Opening Windows
In “Black Doves,” Quartermaster Bingo is among several intriguing transient characters who add depth to the storyline, demonstrating that the creative team behind it has a deep appreciation for their genre. Reminiscent of the tailor and sommelier scenes in the John Wick series, Bingo’s shop feels perfectly fitting. Similarly, Sam’s mysterious forensics contact, working at the upscale department store Liberty, could be categorized in this group as well. She appears almost as if she were plucked from a scene in one of the Matrix films.
In his previous series, titled “Giri/Haji“, Joe Barton delves into two intriguing worlds – Japan and England. The show is known for its unique blend of formality and playfulness, and boasts an impressive cast including Kelly MacDonald, Will Sharpe, Takehiro Hira, and Anna Sawai. If you’ve found yourself captivated by the charm of “Black Doves“, or if you’ve enjoyed even a single moment from classics like “Shōgun” or “Pachinko“, then I highly recommend giving “Giri/Haji” a try next.
Each evening scene during Christmas is enveloped in a cozy, yet moody and atmospheric mix of red and green lighting. It’s filled with the spirit of festivity, warm mulled wine, unexpected spills, wealth, unease, mystery, and gaudiness – and I adore it all!
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2024-12-05 15:54