Oh Yeah, Glare at Me, Jonathan Banks

The series begins with Martin Jarvis, played by Banks, relaxing at his estate while two young boys playfully fight. It quickly becomes clear these aren’t his grandchildren, but his sons – the children of his much younger second wife. His adult son, Nile, doesn’t want children of his own, so Martin had another family to continue the Jarvis name, even if it meant his first wife suffered through multiple miscarriages. This scene is a turning point: viewers will either be turned off if they expected a serious crime drama, or intrigued by the show’s surprising turn towards a more darkly comedic, almost soapy, story. It’s reminiscent of shows like Disclaimer, but with a lighter touch. Banks perfectly embodies this tonal shift, bringing a sense of weight and sophistication to the show’s unexpected, and somewhat outlandish, new direction without sacrificing its artistic quality.







