When Fear Spreads: Modeling Bank Runs in the Age of Social Networks
![As vulnerability increases within a simulated banking system, a large language model accurately replicates observed shifts in behavior, demonstrating a pronounced move toward the safer [latex]Square[/latex] bank and a heightened propensity for early withdrawals-effects primarily concentrated in scenarios of high systemic fragility.](https://arxiv.org/html/2602.15066v1/llm_experimental.png)
New research uses computer simulations to explore how rapidly panic can spread among depositors and trigger a bank run, fueled by online communication and correlated behavior.
![As vulnerability increases within a simulated banking system, a large language model accurately replicates observed shifts in behavior, demonstrating a pronounced move toward the safer [latex]Square[/latex] bank and a heightened propensity for early withdrawals-effects primarily concentrated in scenarios of high systemic fragility.](https://arxiv.org/html/2602.15066v1/llm_experimental.png)
New research uses computer simulations to explore how rapidly panic can spread among depositors and trigger a bank run, fueled by online communication and correlated behavior.

I believe the show’s producers have completely missed what originally made Vanderpump Rules successful. While romance was part of the appeal, the show wasn’t really about dating—it was about established couples. Think of Katie and Tom Schwartz, Jax and Stassi, and Kristen and Tom Sandoval – they were all already together when the series began. Even when they broke up, we rarely saw them genuinely dating, and those attempts usually failed. Sandoval quickly moved from Ariana to Raquel (formerly Rachel) before even ending things with Ariana. Jax dated around after Stassi, but always seemed to want to get back with her until he settled down with Brittany. What viewers want isn’t to see random connections or people searching for partners. We have Love Is Blind for that, and this episode felt like a copy of it, especially the scene with Shayne, Natalie, Jason, and Audrey in the SUR Alley, discussing potential connections.

We’ve seen a lot of unusual diets come and go, but the newest one gaining popularity is particularly odd.
On the 17th of February, these financial leviathans unveiled their fee structure to the U.S. Securities and Exchange Commission-a document dripping with the ink of exploitation. Investors, poor souls, shall receive a meager 82% of gross staking rewards, while the fund sponsor and its executioner pocket the remaining 18%. And let us not forget the sponsor fee, a yearly levy ranging from 0.12% to 0.25% of the investment value, extracted from the very marrow of the shareholders.

Beyond being a war movie, Empire of the Sun helped launch the careers of Ben Stiller and Christian Bale. Before 1987, both actors were relatively unknown, but Steven Spielberg’s film—a critically acclaimed epic lasting over two and a half hours—introduced them to a wider audience and hinted at the talent they would later showcase.

Kyle frequently films himself talking, and this particular porch conversation felt less like his usual Summer House appearances and more like Big Brother, where contestants often talk to themselves—or rather, to the cameras and the audience. He says, “I can’t imagine straight up laughing at someone as they’re trying to address a group of friends,” essentially speaking to the boxes, the cameras, and all of us watching at home. This episode really highlighted how being in a relationship entirely in the public eye adds a layer of complexity that those of us outside the reality TV world can’t fully understand.

A new review examines the potential – and limitations – of using large language models to predict time series data, revealing when these powerful tools genuinely outperform traditional methods.

Marvel Studios has announced the title of its third special presentation: Punisher One-Shot Special. Although the title sounds simple, it’s a nod to a memorable element from the Infinity Saga. This special is also an important step for Marvel’s future streaming plans, which is exciting news as the MCU enters a new phase.

“Queen at Sea” is part of a growing trend of films dealing with dementia, and it’s difficult to describe without sounding similar to other films like “Amour” and “Vortex.” The story begins with Amanda (Juliette Binoche) and her daughter Sara (Florence Hunt) visiting Amanda’s mother, Leslie (Anna Calder-Marshall), and her stepfather, Martin (Tom Courtenay), only to find them in a compromising situation. Because Leslie has Alzheimer’s and can’t consent, Martin has already received a warning about their intimacy. Upset and acting quickly, Amanda calls the police, triggering a complex investigation. Inspectors and social workers arrive to investigate what happened, treating the bedroom as a crime scene. Martin is arrested and separated from Leslie, forcing Amanda and Sara to move in and provide care. While Sara navigates her own teenage life and relationships, Amanda finds herself caught between caring for a declining parent and witnessing her daughter’s blossoming independence.
Anthropic, in their infinite wisdom, released Claude Sonnet 4.6 alongside this partnership. They’re calling it their “most capable Sonnet model yet,” which is like saying your toddler is the most capable toddler in the sandbox. Safety researchers were equally thrilled, noting the model has “strong safety behaviors” and no signs of “major concerns around high-stakes forms of misalignment.” Translation: It won’t start a world war… probably.