
I remember you once saying, “I’ve always tried to use limitations and look at them as strengths.” And honestly, watching Father Mother Sister Brother, it really feels like a movie that came about because of limitations. Was that how it all started?
Definitely. It’s super limited, if we’re being real. There’s no action, no violence, no big drama, no nudity, no sex – basically, it doesn’t have a lot of the things we’re used to seeing in movies. What’s left is a really observational, minimal style. It’s still a cinematic experience, though, because it is a film – it has its own musicality, and the performances from my fellow actors are just incredible. But yeah, it absolutely grew out of working with those limitations.