All 50 DreamWorks Animation Movies, Ranked

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It appeared for a time as though a simplistic online comic strip was giving DreamWorks Animation quite a run for its money. In stark contrast to the imaginative films that Pixar produced during the 2000s, this comic strip suggested that DreamWorks movies were essentially just animated animals performing actions they wouldn’t normally perform and all displaying the same facial expression – an eyebrow arch with a smirk. This was depicted through a collage of characters from various DreamWorks films.

The webcomic that spawned the “DreamWorks Face” meme was criticized for being biased towards Pixar and unfair to Dreamworks. Despite this, it became a popular way to quickly compare these two animation studios, who have been competitors since their inception. Established in 1994, Dreamworks Animation premiered its first film, Antz, in 1998 – the same year as Pixar’s A Bug’s Life. Since then, Dreamworks has found itself often overshadowed by Pixar (it’s worth noting that with this weekend’s release of Dog Man, Dreamworks Animation will have produced nearly twice as many films as the currently Disney-owned Pixar).

It’s important to note that while some DreamWorks films have received criticism for being crude, overly active, heavily referenced, and featuring CGI that hasn’t aged well (if it was ever considered visually appealing), they also have a positive side. For instance, their second film, “The Prince of Egypt,” is a traditionally animated biblical epic that’s still regarded as one of the best animated films. Or consider their collaborations with one of Britain’s most respected animation studios in stop-motion. Not to forget the acclaimed franchises like “Kung Fu Panda” and “How to Train Your Dragon,” which sparked a revival in the 2010s, and the full-blown renaissance they are currently experiencing as we approach the midpoint of this decade.

The list we’re looking at consists exclusively of films produced directly by DreamWorks Animation itself, excluding productions like “Trollhunters: Rise of the Titans” from DreamWorks Animation Television or collaborative works such as “Megamind vs. the Doom Syndicate”. Also not included are the sequels to “Chicken Run” and “Wallace and Gromit”, which were created by Aardman Animations without DreamWorks’ involvement. Additionally, spin-off television shows, specials, or any other related productions are not part of this list. This leaves us with over forty films that chronicle the history of DreamWorks Animation, spanning more than a quarter-century. Collectively, these movies encompass some of the most awkward flops and uplifting triumphs that embody American creativity and business.

50. Spirit Untamed (2021)

In comparison to some of DreamWorks’ more puzzling films, this Wild West Horse Girl adventure doesn’t contain anything offensive in its content. However, Spirit Untamed lacks the depth and substance that one expects from a full-length movie. Essentially, it’s a remake of a 2017 Netflix TV series, which itself was a late spinoff of DreamWorks’ 2002 traditionally animated film Spirit: Stallion of the Cimarron. This connection to its predecessors makes it feel less impressive than other films in this list. The storyline, focusing on a girl named Lucky who moves West and befriends the son of the original film’s main horse, seems more like an extended introduction rather than a complete movie. The animation is simple and not as advanced as other movies released around the same time, and even bringing in big-name stars like Jake Gyllenhaal and Julianne Moore for voice acting couldn’t elevate Spirit Untamed beyond feeling like filler content.

Where to stream: Peacock.

49. Joseph: King of Dreams (2000)

Despite streaming services making direct-to-video releases less distinct, Joseph: King of Dreams is indeed a direct-to-video release in a negative sense. It’s a prequel to The Prince of Egypt, following the story of Joseph from the Book of Genesis. While The Prince of Egypt was an epic, grandly animated movie that could evoke spiritual feelings even in nonreligious viewers, Joseph feels more like additional material you might get after Sunday school. Ben Affleck seems out of place as the voice of Joseph, the animation is cheaper and less polished, and the biblical story doesn’t adapt as well as The Prince of Egypt did. This was DreamWorks Animation’s last biblical adaptation before they started focusing on new characters like Shrek, Trolls, and the Penguins of Madagascar instead.

Where to stream: On demand.

48. The Boss Baby (2017)

https://youtube.com/watch?v=watch?v=Ud8j5GaqH3c

While I was watching or rewatching 50 DreamWorks Animation movies in preparation for this list, I often found myself saying something like, “DreamWorks, could you please make a straightforward movie?” The outrageousness that is “The Boss Baby” stands out as the epitome of the studio’s excessive creativity. You might assume that a story about what would happen if a baby were also a boss and voiced by Alec Baldwin would be simple, but unfortunately, in “The Boss Baby,” the character isn’t just any baby – he’s from a fictional company called Baby Corp, and he’s been placed into the family of 7-year-old Tim Templeton to thwart a plan to replace babies with puppies that never grow up. The storyline becomes increasingly bizarre at first, almost amazing in its absurdity; however, the movie continues for another hour, repeatedly testing the limits of the premise until it all turns into a confusing and overwhelming headache.

Where to stream: Netflix.

47. Shark Tale (2004)

In their early days, DreamWorks Animation movies often stood out from rivals like Pixar and Disney by incorporating pop culture references that might be too sophisticated for their young audience. Sometimes this strategy was successful, but it didn’t work with “Shark Tale.” This film attempted a complex homage to “GoodFellas,” featuring a fish character voiced by Will Smith and modeled after him, trying to pay off a debt to a loan shark (and soon, actual sharks). Unfortunately, “Shark Tale” is a watery blend that sinks without the continuous use of heavy-handed shout-outs and references to superior films not involving a fish femme fatale. Martin Scorsese provided a voice for a pufferfish in the film, which was both a memorable moment and a less impressive addition to his career portfolio.

Where to stream: On demand.

46. Shrek the Third (2007)

In a surprising twist, the Shrek films reached incredible success by playfully mocking Disney. When I remark that Shrek the Third is where the series based on parody seemed to exhaust its creative resources, it speaks volumes about its shortcomings. The storyline unfolds as Shrek and Donkey embark on a quest to find a new heir in Justin Timberlake’s Arthur “Artie” Pendragon, but this installment falls flat with no hint of the original’s humor or charm. Instead, it feels like an obligatory addition to the franchise, much like the roles Shrek is trying to escape. Fortunately, future installments would improve significantly, and the two spin-offs featuring Puss in Boots were particularly noteworthy.

Where to stream: Peacock.

45. Trolls (2016)

It’s arguably presumptuous and self-important to decide what children should or shouldn’t receive from their entertainment. Is ‘Trolls’, DreamWorks’ lively, vibrant adaptation of an existing IP into another version of ‘Minions’, something they deserve? I believe it could be improved; however, it’s not for me to judge. What I will express is that parents may find this musical derived from a sugary inferno less than appealing. In simpler terms, imagine suggesting to your kids and their parents alike that they might enjoy a diverse mix of popular music, old and new. The only condition is that it will be reimagined in the most grating way imaginable, and you’ll dislike it intensely.

Where to stream: On demand.

44. The Boss Baby: Family Business (2021)

107 minutes long, “The Boss Baby: Family Business” is almost universally disappointing in terms of quality. Compared to the original “Boss Baby”, it shows significant progress, primarily by abandoning the complex and dull Baby Corp backstory, and instead focusing on a mission undertaken by an older Ted and his baby counterpart, The Boss Baby (if you’re curious). The plot, which at times involves a group of ninja babies (as one would expect), isn’t particularly impressive, but it is somewhat coherent.

Where to stream: Paramount+.

43. Trolls Band Together (2023)

https://youtube.com/watch?v=watch?v=ftUpFjGKuY0

The Trolls films are disappointingly among DreamWorks Animation’s most vibrant and creatively innovative movies. The latest installment, Trolls Band Together, showcases the advancements in technology and style over the past few years, making it a sight to behold. The textures, shimmers, and vivid colors are mesmerizing, and the film’s ability to combine different art styles – from the Gumby-like wannabe pop-star antagonists to the Yellow Submarine-inspired trips – is invigorating. However, Trolls Band Together lacks substantial content beyond references to Justin Timberlake’s boy-band past and more confusing covers of familiar tunes. Additionally, there are a surprising number of sex jokes, as if including Zooey Deschanel’s character making a BDSM reference would compensate for the parents.

Where to stream: Netflix.

42. Turbo (2013)

Discussing DreamWorks Animation’s “Turbo” alongside Pixar’s works can be oversimplified, but it’s beneficial when examining their similarities. For instance, while “Ratatouille” revolves around a rat aspiring to be a chef, “Turbo” follows a snail (voiced by Ryan Reynolds) who dreams of racing. However, the execution of these ideas varies significantly. “Ratatouille” beautifully explores the universal desire for creation, whereas “Turbo” struggles to keep its heartfelt message about ambition amidst a crowd of excessive snail-racing companions, a prolonged human subplot focusing on a struggling taco-truck owner, and nitrous oxide, a magic substance that speeds up snails. To be fair, if we’re making comparisons with Pixar, “Turbo” may still surpass at least one of the “Cars” movies.

Where to stream: On demand.

41. Madagascar (2005)

In terms of the number of spin-offs, sequels, and TV shows it has produced, it’s clear that Madagascar is DreamWorks’ most extensive franchise. This could be due to its simple premise – a group of zoo animals engaging in activities that are uncommon for their species, complete with plenty of “DreamWorks facial expressions.” While none of the three main films are particularly exceptional, they also aren’t terrible, and it’s notable that Madagascar’s lasting impact is primarily associated with a lemur character voiced by Sacha Baron Cohen and his catchy song, “I Like to Move It.” Even years later, Penguins of Madagascar made a humorous reference to the fact that everyone was tired of hearing that tune.

Where to stream: Peacock.

40. Madagascar 3: Europe’s Most Wanted (2012)

In the third installment of the Madagascar series, titled Europe’s Most Wanted, Alex the Lion (Ben Stiller), Marty the Zebra (Chris Rock), Melman the Giraffe (David Schwimmer), and Gloria the Hippo (Jada Pinkett Smith) take a new turn by purchasing and managing a traveling circus. This development, which is an upgrade that essentially eliminates any vestige of internal logic these movies initially possessed, might seem odd but adds to the series’ already whimsical tone. One standout feature in Europe’s Most Wanted is Frances McDormand lending her voice to Morocco’s ruthless animal control chief, a delightful touch of absurdity amid the humor that occasionally strays too far for the Madagascar franchise.

Where to stream: On demand.

39. Madagascar: Escape 2 Africa (2008)

https://youtube.com/watch?v=watch?v=66EsWZ4gWYI

In a daring move, DreamWorks Animation encourages comparisons with The Lion King, but instead offers Madagascar: Escape 2 Africa. This sequel sees Alex the Lion revisiting his Savannah homeland, only to find himself battling against Alec Baldwin, who portrays a character reminiscent of Scar. Escape 2 Africa is generally considered the best of the three Madagascar films because it focuses more on family dynamics and the challenges faced by animals when they re-enter nature. This aspect aligns more closely with the original movie’s premise, which did not bring Alex & Co. back to their homeland due to a detour at the lemur habitat that characterizes this franchise. Despite this, Escape 2 Africa is still far from excellent, and collectively, the Madagascar films are a mixed bag in DreamWorks’ animation portfolio.

Where to stream: Peacock.

38. Antz (1998)

Antz marked DreamWorks Animation’s initial film release, moved ahead in the schedule to precede The Prince of Egypt and A Bug’s Life, a movie from Pixar that DreamWorks’ Jeffrey Katzenberg is said to have copied. This groundbreaking debut, however, was criticized for being overly adult-oriented, with later films in the studio’s portfolio demonstrating a better knack for incorporating subtle humor for parents while maintaining stories and jokes more suitable for kids. The neurotic protagonist, war themes, and fascism elements of Antz may have been too complex for younger audiences. Over time, the animation quality has deteriorated significantly, but it was highly praised at the time. Additionally, the Woody Allen-esque aspects of the film have not fared well over the years.

Where to stream: On demand.

37. Trolls World Tour (2020)

In Trolls, being partially a musical jukebox, it’s filled with catchy tunes that sometimes feel like pesky parasites burrowing into your brain, eating away at your intellect, and driving you mad. However, the second Trolls film manages to maximize its extensive music library effectively. It sends characters Poppy (Anna Kendrick) and Branch (Justin Timberlake) on a mission that takes them through various types of Troll communities: Hard Rock, Techno, Funk, Hip-Hop, Classical, and Country Trolls. This journey offers a delightful, traditional kind of adventure, one that adds variety to the sugary pop sounds of the first movie.

Where to stream: On demand.

36. The Croods: A New Age (2020)

https://youtube.com/watch?v=watch?v=GkXeVIfbJOw

In their initial adventure, the Croods established a unique identity that set them apart from the commonly adored contemporary Stone Age clan. As expected for a sequel, they came across more advanced beings – Cro-Magnons such as Ryan Reynolds’ character instead of Neanderthals like Emma Stone’s and her kin. The plot developments follow the usual pattern, including an abrupt change when Grug Crood (Nicolas Cage) and Phil Betterman (Peter Dinklage) transition from bitter enemies to close friends late in the story. Despite its fantastical prehistoric backdrop, A New Age feels somewhat outdated.

Where to stream: On demand.

35. Shrek: Forever After (2010)

Forever After manages to justify its existence but not without repetition. With the announcement of Shrek 5, they can’t rely on this trick again, so let’s hope they find fresh ground in the Shrek storyline swamp instead.

Where to stream: Max.

34. Home (2015)

The combination of Rihanna and Jim Parsons from ‘The Big Bang Theory’ might seem unusual, yet it suits this movie ‘Home’, which presents an alien-invasion storyline with a tonal discrepancy. This film is one of DreamWorks’ more sincere productions, focusing on Rihanna’s character, Tip, as she endeavors to reunite with her family after they were separated when all humans were compelled to move to Australia due to the Boov, an alien race. Parsons’ character, an outcast who forms an unusual friendship with Tip, adds a touch of silliness and slapstick humor, which feels somewhat inappropriate given the distressing premise of ‘Home’. The concept of aliens forcing humanity to relocate to Australia is also present in ‘The Three-Body Problem’ sequel, lending a grim tone. Fortunately, ‘Home’ doesn’t involve cannibalism, but the film’s ambitious and emotional sci-fi narrative struggles to convey the weight of its implications.

Where to stream: On demand.

33. Penguins of Madagascar (2014)

It’s questionable whether the humorous characters from Madagascar, such as the penguins, were suitable for their own movie. While the comedy in this spinoff, featuring a mission against an evil octopus villain in a quirky take on James Bond, is effective, especially the unexpected humor like Kowalski’s claim that he can fly a plane followed by a hard cut to him reading an instruction manual and admitting “Nope, still don’t know how to read,” it seems the film was primarily designed for silliness rather than carrying a heavy emotional narrative.

Where to stream: Peacock.

32. Mr. Peabody and Sherman (2014)

In this modern take on the Rocky & Bullwinkle series, the time-travel escapades are extravagantly animated and vibrant. The bond between the genius canine Mr. Peabody and his adopted human son, Sherman, is sincerely heartfelt. However, the “Peabody’s Improbable History” segments were anything but lavish or energetic. It seems out of place to inject this sugary family theme along with wild action into an intellectual property known for its sharp humor, as if something has been misaligned in the timeline.

Where to stream: Netflix.

31. The Croods (2013)

When creating a film about a Stone Age family, it’s natural to draw parallels with “The Flintstones.” However, unlike the Flintstones’ dishwasher that was also a woolly mammoth, “The Croods” introduced an unusual twist by challenging the comfort and normality enjoyed by Fred and his companions. The main characters, Grug (Nicholas Cage) and Eep (Emma Stone), along with their family, reside in a peculiar past where they aren’t dominant in any way. There is some emotional depth in the way Grug strives to preserve his prehistoric family. While it may not be particularly memorable, “The Croods” isn’t terrible; ironically, this film might not leave a lasting impression in DreamWorks Animation’s history.

Where to stream: On demand.

30. Spirit: Stallion of the Cimarron (2002)

https://youtube.com/watch?v=watch?v=4UzmHsy4u8s

It’s essential to acknowledge the innovative approach DreamWorks Animation took in creating “Spirit“, a visually stunning movie set in the Wild West that broke traditional storytelling norms. The main character, a stallion named Spirit, doesn’t speak but narrates through a voiceover by Matt Damon, who seems to have spent minimal time recording his lines. Characters like the individuals trying to tame the wild horse and the Lakota Indian who escapes captivity with him do talk, resulting in a narrative that challenges your assumptions about what Americana and animal adventures are supposed to be. However, the execution occasionally feels awkward, not quite reaching the visual beauty of the landscapes Spirit gallops through. Despite these shortcomings, “Stallion of the Cimarron” could still be one of DreamWorks’ most daring productions.

Where to stream: Peacock.

29. Monsters vs. Aliens (2009)

In a similar vein to how Shrek reimagined fairy tales with a twist, Monsters vs. Aliens pays tribute to classic sci-fi and monster movies. Reese Witherspoon lends her voice to the character of Susan, who grows to monstrous size after an encounter with a meteor. Alongside other comedic reinterpretations of B-movie stereotypes, Susan teams up to fight off an alien invasion. Unlike Shrek, which offered a sharp parody of Disney’s established fairy tale tropes, Monsters vs. Aliens is more of a heartfelt homage, with only minor deviations from the traditional storylines (such as Susan being just an inch short of the classic 50-foot-woman). Despite its adherence to convention, it’s enjoyable to see a lighthearted genre film.

Where to stream: On demand.

28. Rise of the Guardians (2012)

https://youtube.com/watch?v=watch?v=aPLiBxhoug0

In a similar vein to how The Avengers united Marvel’s legendary superheroes, Rise of the Guardians introduced Santa Claus, Easter Bunny, Tooth Fairy, and Sandman as a team for an enchanting adventure. Released just a few months after The Avengers, it was evident that Rise of the Guardians aimed to establish a series, assembling its folklore characters to confront whatever malevolent force could potentially menace children in the future. Regrettably, Rise of the Guardians failed to attract a large audience, possibly because its heroes were perceived as too childish despite the attempt to appeal to tweens through the action sequences. Although a sequel never materialized, the movie remains cherished by fans who grew fond of Chris Pine’s portrayal of Jack Frost on Tumblr.

Where to stream: On demand.

27. Kung Fu Panda 4 (2024)

The Kung Fu Panda series is one of DreamWorks Animation’s most successful franchises, but some vital energy seems to be lacking in the fourth part. In this installment, Po’s trusted team, the Furious Five, are given minimal screen time and only appear in a brief scene after the credits because Angelina Jolie and her co-stars were too expensive. As a result, Jack Black shares the screen with a new character, a fox voiced by Awkwafina, as they search for Po’s successor as the Dragon Warrior. This plot shift is intended to progress the franchise, but in execution, Kung Fu Panda feels like an adventure pieced together from leftover elements. The action sequences and animation are not as impressive as those in previous films, but a Kung Fu Panda movie could always be worse.

Where to stream: Netflix.

26. Abominable (2019)

In simpler terms, “Abominable” (2019) from DreamWorks Animation stands out as a balanced, straightforward adventure film compared to some of their more complex and energetic productions. The story follows Yi, a young Chinese girl who encounters an escaped baby yeti and joins forces with her friends to help it return home in the Himalayas, all while evading a poacher. While visually appealing, the film doesn’t leave a lasting impression, making it less characteristic of typical DreamWorks productions, which can be seen as both a positive and negative aspect.

Where to stream: On demand.

25. Bee Movie (2007)

Is jazz music something you enjoy? The much-talked-about and often memed movie from DreamWorks Animation, Bee Movie, while not the worst or most eccentric film they’ve ever produced, is a testament to the amount of subpar content DreamWorks has churned out. At the same time, it showcases the strengths of Bee Movie. Despite being Jerry Seinfeld’s first significant project post-Seinfeld, this film isn’t devoid of its unique appeal and (somewhat brainless) humor. The story revolves around Seinfeld’s character, Barry B. Benson, a bee who embarks on an adventure to expose a honey theft conspiracy in court while also developing feelings for a human woman (Renée Zellweger). Bee Movie may not be easy to appreciate without a dose of irony, but it’s still entertaining – a feat given the improbability, according to cinematic laws, that such a film should even work.

Where to stream: On demand.

24. The Road to El Dorado (2000)

https://youtube.com/watch?v=watch?v=1BnJ3QksUvM

The Road to El Dorado is a delightful, semi-historical journey filled with humor, chronicling the misadventures of Kevin Kline and Kenneth Branagh as two cunning Spanish swindlers who by chance discover the fabled city of gold in the New World during their voyage. This timeless classic has a special place in the hearts of many millennial viewers, but it’s important to acknowledge that The Road to El Dorado is not without its flaws; the narrative can be confusing at times, and certain aspects may contain racist elements that make it difficult to praise as an unblemished example of what was lost when DreamWorks shifted from classic, Disney-inspired 2D animation towards more CGI-focused works.

Where to stream: Netflix.

23. Flushed Away (2006)

In simpler terms, “Flushed Away,” a DreamWorks Animation film featuring Hugh Jackman as a spoiled pet rat who encounters the gritty sewer-rat life, could have been overly pretentious. However, the unique British flavor added by co-producers Aardman Features makes it quite entertaining. Despite the computer-generated imagery not matching the charm of stop-motion animation like “Chicken Run” and “Wallace and Gromit,” many viewers found the film amusing. Interestingly, some audiences, particularly younger ones, saw the rats as attractive figures, a phenomenon noted in various movie reviews on Letterboxd. To be honest, I’m not entirely sure why this is the case.

Where to stream: On demand.

22. Ruby Gillman: Teenage Kraken (2024)

Ruby Gillman: Teenage Kraken” – DreamWorks Animation’s Film With Modest Box Office Performance, Surpassed Only by “Spirit: Untamed”

The reason for the film’s underperformance at the box office is not hard to understand. Similar to many DreamWorks productions, it strays far from the ordinary. One of the puzzling decisions made was to portray Ruby and her Kraken family as distinctly blue and cephalopod-like in their human forms, which they use to blend inconspicuously among humans on land.

“Ruby Gillman” faced a disadvantage, unjustifiably so, due to its lack of a pre-existing intellectual property (IP) basis and its existence in a watery realm that seems to straddle the line between entertainment marketed towards girls (girl-coded) and boys (boy-coded).

Despite these issues, it offers an enjoyable, vibrantly animated coming-of-age story with an Aquaman-inspired twist.

Where to stream: Peacock.

21. Sinbad: Legend of the Seven Seas (2003)

https://youtube.com/watch?v=watch?v=vqTFq9VF7VA

As a movie reviewer looking back, I can’t help but reflect on the unfortunate timing of “Sinbad,” a film that harkened back to the grandeur of Ray Harryhausen’s epic style. Unbeknownst to us at the time, it was released just as traditional 2-D animation began to lose its footing in mainstream American cinema. To make matters worse, it debuted only a week before “Pirates of the Caribbean: The Curse of the Black Pearl” swept swashbuckling films off the big screen. The box office failure of “Sinbad” came close to sinking DreamWorks Animation, and in retrospect, it’s clear why they chose to phase out traditional animation. It’s a pity, really, because beneath its less-than-stellar performance lies a richly layered adventure featuring the charismatic Brad Pitt in the title role. The animation, while not yet on par with the burgeoning CGI of the era, was undeniably superior in terms of quality.

Where to stream: On demand.

20. Over the Hedge (2006)

The movie “Over the Hedge” was criticized in the “DreamWorks Face” webcomic, but instead of being a typical animation about witty animals performing unnatural acts, “Over the Hedge” stands out by offering a sharp critique of suburban America. Bruce Willis lends his voice to a quick-witted raccoon, who along with a snail voiced by the late Garry Shandling, leads a group of woodland creatures on a mission to pilfer tasty processed foods from a housing development. Unlike other animations, “Over the Hedge” doesn’t aim to dismantle the system, but its biting commentary on mid-2000s American lifestyle gives it a unique edge. The humor and over-the-top consequences are entertainingly reminiscent of “Looney Tunes”.

Where to stream: Netflix.

19. Captain Underpants: The First Epic Movie (2017)

The humorous approach of author Dav Pilkey’s Captain Underpants series, which can be described as playfully childish, aligns well with DreamWorks Animation. The movie adaptation of Captain Underpants: The First Epic Movie, a blend of the first three books, showcases the characters George and Harold (portrayed by Kevin Hart and Thomas Middleditch) hypnotizing their strict principal into believing he’s Captain Underpants from their comics. At times, this film might seem overly smug about its own cleverness. However, this could also be seen as a positive aspect, as the self-confidence of George and Harold in their artistic abilities contributes to the chaotic and self-referential humor that unfolds.

Where to stream: Netflix.

18. Orion and the Dark (2024)

In a surprising twist reminiscent of “The Boss Baby,” the third act of this Netflix release, titled “Orion and the Dark, threatens to derail but is skillfully handled by writer Charlie Kaufman. This film delves into childhood anxieties, psychological complexities, and the very essence of storytelling. Jacob Tremblay portrays Orion, a child who fears almost everything, particularly the dark, which triggers a visit from an entity embodied by Paul Walter Hauser. Initially appearing as a comforting bedtime tale, it takes on a whole new perspective when we learn it’s actually a bedtime story. As his daughter embarks on her own narrative, adult Orion (Colin Hanks) becomes both a co-author and character. Despite its unconventional narrative style, “Orion and the Dark” stands out as one of DreamWorks Animation’s more intriguing productions or offerings in Netflix’s catalog.

Where to stream: Netflix.

17. Dog Man (2025)

https://youtube.com/watch?v=watch?v=QaJbAennB_Q

Despite the fact that “Dog Man” is based on the “Captain Underpants” series, the film adaptation has no link whatsoever with DreamWorks’ 2017 “Captain Underpants” movie. Both share a similar irreverent, carefree, and immature tone that allows for the fast-paced silliness that has been a drawback in many DreamWorks films. The animation style, which gives everything a Weebles-like appearance, and the use of crude handwriting instead of conventional text, give “Dog Man” an air of something a group of kids might invent during playtime. This casual, homemade feel makes the story — about a police officer and his dog merging, like in “RoboCop”, to become a hybrid crime-fighter who must combat an adorable feline villain with daddy issues and a clone — a fun, quirky adventure to enjoy.

Where to watch: In theaters now.

16. The Bad Guys (2022)

The film’s setting is purposely minimal to resemble the premise, “What if we remade Ocean’s Eleven?” The movie, titled The Bad Guys, doesn’t appear as effortless as Ocean’s, but it manages to maintain a chic and entertaining crime thriller vibe. Despite some complexities such as an intricate reverse-heist being disrupted by a meteor-powered Guinea pig army controlling their minds, the action remains sleek, the animation pushes the boundaries of DreamWorks’ visual capabilities, and the voice acting is superb, featuring stars like Sam Rockwell, Marc Maron, and Zazie Beetz.

Where to stream: Peacock.

15. Kung Fu Panda 3 (2016)

In essence, much like the third part of the Star Wars saga, The Return of the Jedi, Kung Fu Panda 3 delves into some profound themes for its franchise. Here, Po confronts the reunion with his biological father alongside his deep affection for his adoptive dad, Ping, the duck. Simultaneously, he embarks on a journey towards self-discovery under immense stress. At the same time, there’s an element of lighthearted, playful action as the panda villagers battle General Kai (J.K. Simmons), reminiscent of the Ewoks in Star Wars. However, unlike the first two installments, this film doesn’t quite strike a perfect balance between martial-arts intensity and animal humor.

Where to stream: Peacock.

14. How to Train Your Dragon: The Hidden World (2019)

In terms of the movie, How to Train Your Dragon: The Hidden World doesn’t quite live up to its brilliant predecessors. The narrative, focusing on Chief Hiccup (Jay Baruchel) searching for a secure haven for Berk’s people and dragons, seems somewhat disjointed and unevenly paced. There appears to be an excessive focus on silent dragon-mating rituals, which might seem odd to some viewers. However, as a concluding chapter for the trilogy, The Hidden World is a remarkable and courageous finale that allows its characters to develop and concludes with a poignant sense of closure that’s not often found in children’s or even adult entertainment. In fact, when compared to other highly anticipated endings released in 2019 like The Rise of Skywalker and Game of Thrones, The Hidden World’s series finale stands out for its thoughtful conclusion.

Where to stream: On demand.

13. Puss in Boots (2011)

In the sequel film “Puss in Boots: The Last Wish,” the accolades were abundant, but the spinoff isn’t far behind in terms of perfection. Unlike the “Shrek” movies that satirized fairy tales and their tropes by reimagining and referencing everything the Brothers Grimm ever wrote into a humorous pastiche, “Puss in Boots” utilizes the same fairy-tale setting to spin an adventure yarn that sincerely explores this world while giving it a touch of western flair. Puss (Antonio Banderas) emerges as a genuine hero, Kitty Softpaws (Salma Hayek) serves as a fitting romantic counterpart, and Humpty Dumpty (Zach Galifianakis) proves to be a surprisingly intricate antagonist. Although filled with humor, “Puss in Boots” refrains from self-mockery, and even though the animation isn’t as groundbreaking as “The Last Wish,” it’s more than competent enough to immerse you in the fictional universe of “Shrek” on a level that the ogre-centric films never envisioned.

Where to stream: On demand.

12. Megamind (2010)

https://youtube.com/watch?v=watch?v=6CJUQr4Vs40

After quite a while, I’m diving back into comparing DreamWorks Animation films with those from the famous Disney house. Today, let’s have some fun by pairing up “Megamind” against “The Incredibles.” While “The Incredibles,” released in 2004, might just be the best superhero movie ever made, “Megamind” doesn’t quite reach that level. Instead, it offers a fresh and witty take on the superhero genre, much like how “Shrek” did for fairy tales. In this film, Will Ferrell voices a brilliant alien who could have been a hero but was steered towards villainy when Brad Pitt’s character, Metro Man, disrupted his Superman-like origin story. A comedic gem from DreamWorks, “Megamind” cleverly twists and satirizes the superhero movie landscape that wasn’t yet entirely worn out, all while telling a compelling villain-to-hero tale of its own.

Where to stream: Max.

11. Shrek 2 (2004)

Despite the fact that the initial Shrek movie satirized fairy tales, Shrek and Fiona managed to have a fairytale ending. However, with a movie as successful as Shrek, there was no doubt that the story wouldn’t end there. Three years later, in the sequel titled Shrek 2, our beloved ogre encountered his disapproving in-laws in the glamorous kingdom of Far Far Away. Shrek 2 showed that there were more stories to be told from Shrek’s swamp, particularly when it introduced Antonio Banderas as Puss in Boots, who later starred in two popular spinoffs. Although Shrek 2 didn’t receive an Oscar like the original, one might find it surprising that the Academy did not shower it with awards during the dramatic climax where the Fairy Godmother belted out “I Need a Hero.

Where to stream: Peacock.

10. Kung Fu Panda 2 (2011)

Although DreamWorks Animation films such as “Puss in Boots: The Last Wish” and “The Wild Robot” are receiving acclaim for their groundbreaking use of CGI animation, it’s crucial to recall that the studio has dedicated its entire existence to refining CGI into an art form. Admittedly, many films from the 2000s seem dated now due to the Uncanny Valley effect, but there is still a sense of artistic beauty and ambition present. For instance, “Kung Fu Panda 2” was released more than a decade before “The Last Wish”, yet it remains visually stunning. The animation cleverly blends different visual styles – for example, the somewhat 2-D appearance of the villainous Lord Shen in an otherwise 3-D world – enhancing an already impressive sequel that advanced Po’s journey as the Dragon Warrior while also delving into his past. Essentially, it is a genuine epic that lives up to its grandeur while featuring a witty cast of animals performing martial arts as lead characters.

Where to stream: Peacock.

9. How to Train Your Dragon 2 (2014)

Dean DeBlois, who shared directorial duties for the initial “How to Train Your Dragon” film and took sole charge for the following two, aimed high by intending his middle production to mirror the quality of “The Empire Strikes Back” in the “HTTYD” series. This is quite an ambitious goal, yet fittingly so, as a movie centered around dragon-riding offers some truly breathtaking flight scenes – and these are particularly evident in the second installment. Soaring to heights that might not quite match those of “Star Wars,” but come very close, “How to Train Your Dragon 2” delivers on all fronts for a sequel. It dares to take risks, pushing both the storyline and characters beyond simple repetition of the original’s successes.

Where to stream: On demand.

8. Wallace and Gromit: The Curse of the Were-Rabbit (2005)

https://youtube.com/watch?v=watch?v=566_PBg6jkE

It’s not unexpected that “Wallace & Gromit: The Curse of the Were-Rabbit,” the sole feature-length Wallace and Gromit movie co-produced by DreamWorks, is one of only three DreamWorks Animation films to win an Academy Award. Previously, the Academy had awarded two Best Animated Short prizes and a nomination to Aardman’s original shorts, indicating their fondness for the characters. Interestingly, despite the film’s expanded length and increased production budget, Wallace and Gromit remain as humble as ever. “The Curse of the Were-Rabbit” is richly influenced by classic monster movies like 1941’s “The Wolf Man,” along with some nods to “Frankenstein” and “Dr. Jekyll and Mr. Hyde.” This distinctive feel likely stems from Aardman and Wallace & Gromit’s established reputation, making it all the more endearing compared to most of DreamWorks’ other genre spoofs.

Where to stream: On demand.

7. Shrek (2001)

https://youtube.com/watch?v=watch?v=WpBzpJR0xYQ

Reframing the sentence in a more casual and conversational tone:

It’s really tough to separate the 2001 movie Shrek from everything it has influenced since then, such as memes, sequels, imitations, and even adult content. However, when Shrek first came out, it was a breath of fresh air in a sea of overused fairy tale tropes. Starring Mike Myers, Cameron Diaz, and Eddie Murphy, this clever parody of Disney-style stories competed against Mulholland Drive at Cannes and managed to make audiences invest in its “Once upon a time…” story despite Shrek starting off by wiping his behind with the concept of true love. Not only was Shrek funny when it first came out, but it remains so today – though its influence has led to a lot of similar content that can get tiresome. Still, we shouldn’t forget that there’s more to Shrek than meets the eye – just like an onion!

Where to stream: Peacock.

6. The Prince of Egypt (1998)

https://youtube.com/watch?v=watch?v=N0Vh65UrBK4

As a fan, I must say that the distinction between “Antz” and “The Prince of Egypt,” both debut films from DreamWorks Animation in their respective years, is truly astounding, especially when you consider “Shrek” a few years down the line. “The Prince of Egypt,” with its stunning traditional animation, retells one of the oldest stories known to humanity – The Old Testament – in an epic fashion that seamlessly blends elements from classic Disney musicals and outdated biblical epics for general audiences. There’s a profound beauty in “The Prince of Egypt” that doesn’t shy away from delving into the shadows of the Exodus story, allowing those unsettling moments to linger.

Even as DreamWorks Animation began to tackle heavier themes later on, nothing quite compares to “The Prince of Egypt.” It seems like a path not taken, not only for DreamWorks Animation but for all of Western animation.

Where to stream: YouTube TV.

5. The Wild Robot (2024)

The movie “The Wild Robot” ranks among the top five not due to recent popularity or manipulative emotional impact (though it certainly does that), but rather because it’s a deeply moving piece of art that seems like a manifesto for what DreamWorks Animation is capable of achieving. Expanding upon the stylistic advancements demonstrated in “Puss in Boots: The Last Wish“, “The Wild Robot” nearly achieves a harmonious blend between CGI and the hand-drawn animation that DreamWorks once used, resulting in a breathtaking, painterly portrayal of wilderness and the unlikely mother figure (brilliantly played by Lupita Nyong’o) to a little duck – eventually becoming an accepted member of the animal world. Viewing “The Wild Robot” leaves you in awe of DreamWorks Animation’s potential, even if you chuckled at movies like “Trolls” or “Madagascar“. Movies such as “The Wild Robot” are the ones that DreamWorks should aim for because, undeniably, they can create such masterpieces.

Where to stream: Peacock.

4. Chicken Run (2000)

The first collaboration between DreamWorks Animation and Aardman Animations is considered one of the best films either studio has produced, and it can even be seen as one of the best World War II movies if you look at it from a certain angle. “Chicken Run,” a spoof of “The Great Escape,” replaces a Nazi prisoner-of-war camp with a Yorkshire egg farm. With its quirky British charm, except for the American rooster voiced by Mel Gibson who promises to lead the chickens to freedom, it’s a fittingly British production. At times, “Chicken Run” can be quite dark, but it embraces the genre parody with enthusiasm. Sometimes, the most effective way to make a parody is to take things surprisingly seriously.

Where to stream: On demand.

3. Puss in Boots: The Last Wish (2022)

https://youtube.com/watch?v=watch?v=RqrXhwS33yc

Did DreamWorks Animation truly discover a real magical wishing star, as portrayed in the storyline of Puss in Boots: The Last Wish? It’s remarkable to consider that such a sincere and exceptional sequel could stem from the witty series, given its reputation for sarcasm. Pushing the boundaries set by the groundbreaking CGI animation in Spider-Man: Into the Spider-Verse a few years prior, The Last Wish left viewers spellbound with its stunning visuals and captivating narrative. In this film, Antonio Banderas’s cunning feline character grapples with self-doubt upon realizing he has only one life left. Rich in emotional depth, breathtaking action sequences, and a blend of both clever and silly humor, The Last Wish hinted that, much like Puss, DreamWorks still has some tricks up its sleeve.

Where to stream: Prime Video.

2. How to Train Your Dragon (2010)

As a cinephile, I can’t help but notice the similarities often drawn between DreamWorks and Disney, yet I find these accusations of outright copying to be somewhat exaggerated. However, it’s clear that DreamWorks took note when they saw their rival’s substantial earnings from the live-action remakes of timeless animated films. Seizing an opportunity, they decided to join the bandwagon, and what better film to reimagine than “How to Train Your Dragon”?

In the DreamWorks Animation catalog, there isn’t another movie quite as universally praised and cherished as this one. Unlike many of their other films that focus on animal protagonists, ‘Dragon’ boasts human characters, making it a more practical choice for a supposed “live-action” remake without the need to animate every single character.

In a different wording, the children’s novel series adaptation called “How to Train Your Dragon” is arguably DreamWorks’ finest production to date. The film features Jay Baruchel portraying Hiccup, an unassuming Viking chief’s son who embarks on an extraordinary journey. This tale, titled “HTTYD,” masterfully follows the classic hero’s path. Unlike typical chosen ones, Hiccup is just a compassionate and determined soul who dares to do what no one in Berk thought feasible – befriend a dragon, the endearing yet ferocious Toothless, with a feline-like demeanor. The upcoming live-action version of “How to Train Your Dragon” seems somewhat unnecessary – renowned cinematographer Roger Deakins had already consulted on the original to ensure its animation appeared as stunningly realistic as possible. Frankly, it’s challenging to envision what could be enhanced in such a remarkable production.

Where to stream: Max and Hulu.

1. Kung Fu Panda (2008)

https://youtube.com/watch?v=watch?v=NRc-ze7Wrxw

How to Train Your Dragon could be considered DreamWorks Animation’s finest film, but is it their absolute best? The difference might appear inconsequential or even unjust towards How to Train Your Dragon, which is as much a testament to the studio as any other production. However, Kung Fu Panda seems to encapsulate DreamWorks’ creative spirit at its finest. It addresses the criticisms from the “DreamWorks Face” webcomic by delivering an action-packed martial arts epic, filled with A-list talent, rich emotion, and infectious silliness. The character of Po, a plump panda who becomes the legendary “Dragon Warrior” under improbable circumstances, manages to raise one eyebrow with a smirk without undermining the film’s artistic merit and significance.

Skilfully dodging potential body-shaming that could’ve turned Kung Fu Panda into a series of fat gags, the movie instead spins a powerful narrative about self-esteem and optimism, all while maintaining a visually appealing and culturally sensitive style that mirrors the history of martial arts films and Chinese culture. The action sequences are top-notch, expertly utilizing animation and the animal characteristics of the characters to design fights in fresh, stunning ways. Boasting an impressive cast, including Angelina Jolie, Seth Rogen, Lucy Liu, David Cross, Jackie Chan, and Dustin Hoffman, this team is one of DreamWorks’ finest assemblages (a notable achievement!). In terms of quality, Kung Fu Panda embodies the essence of DreamWorks at its best.

Where to stream: Peacock.

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2025-01-31 23:59