Fernanda Torres Reveals Her Dream Role as a Bond Villain and Fans’ Wild Support!

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For many years, Fernanda Torres has been recognized as a well-known figure in Brazil due to her talent and adaptability as an actress. However, with her outstanding portrayal in the drama “I’m Still Here,” Torres stepped onto a worldwide platform, garnering her initial Academy Award nomination and embodying the pride of an entire country.

I wholeheartedly support Torres’ portrayal of Eunice Paiva in the movie that unfolds her decades-long quest for justice following the disappearance of her husband during Brazil’s military dictatorship. This film has struck a chord with both audiences and critics, and its unexpected nomination for Best Picture has etched it as a defining moment in the history of Brazilian cinema for me.

In this installment of the EbMaster Awards Circuit Podcast, Torres discusses the film’s emotional resonance, the heartwarming backing from Brazil, the illustrious Oscar legacy of her mother Fernanda Montenegro, and her unanticipated aspirations for a role as a unique James Bond villain.

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In this episode of the EbMaster Awards Circuit Podcast, Torres shares thoughts on the film’s emotional impact, the encouraging support from Brazil, the distinguished Oscar background of her mother Fernanda Montenegro, and her surprising ambitions for a particular role as a James Bond villain.

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On this episode of the EbMaster Awards Circuit Podcast, Torres delves into the emotional power of the film, the inspiring backing she’s received from Brazil, the prestigious Oscar history of her mother Fernanda Montenegro, and her unexpected Hollywood desires – such as a specific role as a James Bond villain.

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As a movie enthusiast, experiencing the remarkable voyage of “I’m Still Here” from the bustling Venice Film Festival to the prestigious Academy Awards has felt nothing short of surreal for me.

She expresses her satisfaction, saying, ‘It feels great.’ She is proud because we initially began the film project in Venice as a Brazilian movie with uncertain outcomes. Yet, look at where it led us – all the way to the Oscars! The anticipation, the anticipation of Brazil, was overwhelming. And when I received the nomination, I exclaimed, ‘Wow, I’ve accomplished what I set out to do.’

For me, as a movie enthusiast, while many global viewers might categorize “I’m Still Here” as a historical drama, its impact resonates far deeper among Brazilians.

Torres states that this movie held significant importance, both politically and socially. It resonated deeply with various age groups, evoking feelings of pride and emotion. This film is uniquely meaningful to Brazil. The dictatorship in Brazil wasn’t a solitary event; it was an aspect of the Cold War, supported by the United States. It was a period marked by dystopia. However, this isn’t solely a tale of yesteryears; it also mirrors our current state. Once more, we find ourselves filled with fear, divided, and enraged. The allure of populism and the belief that a harsh state can bring order to today’s chaos is strong. Yet, we must stand firm against it.

As a movie critic, I find the nomination of Ana Torres deeply resonant for Brazilian cinema enthusiasts, given her esteemed lineage in the industry. You see, her mother, the illustrious Fernanda Montenegro, was the pioneer among Brazilian actresses to receive an acting Oscar nomination, back in 1999 for “Central Station,” a film masterfully directed by Walter Salles, who has since garnered recognition with films like “I’m Still Here.” This connection to such a prestigious cinematic heritage undeniably adds a layer of anticipation and pride for Brazilian audiences as they eagerly await Ana Torres’ journey on the red carpet.

Torres remarks, “A strong sense of patriotism can be felt within our nation. It’s as if our country is walking the red carpet. Since my mother had previously competed, it ignited a feeling of national pride in me. However, this enthusiasm was sparked by the movie.

She fondly recalls watching her mother’s Oscar campaign unfold when she was younger.

Torres chuckles as he recalls, “For a while, my mother was ‘missing’ for about half a year.” He adds, “She simply vanished! We’d occasionally get word from her, saying, ‘Dear one, I’m in Denver.’

One moment, in particular, stood out.

Torres remarked, “She appeared on David Letterman, but since English isn’t her native tongue, I was a bit anxious. However, she quickly put me at ease by cracking a joke. When he asked if she resided in Ipanema, she retorted, ‘Indeed, I am the old lady from Ipanema.’ At that moment, I was truly impressed.

Now, 25 years later, Torres is carrying Brazil’s cinematic legacy forward.

Torres has gained a significant boost in social media endorsements, as Brazilian supporters rally behind her on platforms like Twitter, Instagram, and more. In merely a few short months, her follower count skyrocketed from half a million to over 4 million. Quite impressive for a nation with a population exceeding 12 million people.

Nevertheless, even as some of her backers display a more forceful demeanor on occasion, she maintains that her campaign isn’t being intentionally managed in a coordinated manner.

Contrary to how it might seem, I don’t manage my social media for that purpose,” Torres clarifies. “What really boosted my social media presence was a movie, titled ‘I’m Still Here’, which turned into a sensation in Brazil.

She also credits Brazil’s passionate online culture.

She points out that Brazilians heavily rely on the internet. We not only absorb our rich culture but also take great pride in it. However, when someone manages to break through international barriers and gains global recognition, Brazil erupts with excitement.

Instead of manipulating her social media presence like some other actors do for strategic purposes, Torres prefers to let her fans guide the way. “They’re taking the initiative,” she explains. “They’re organically promoting the film and making sure people understand its value and that it deserves acclaim.

Now that Hollywood has taken notice of the 59-year-old sensation, what’s next?

She notes that her professional journey in Brazil isn’t distinct from her global career. For her, a fulfilling career encompasses notable films, stage performances, and TV roles. She expresses enthusiasm for the opportunity to star in an action film and equally desires to be part of a European art movie.

But when pressed for a dream role, she has a very specific answer.

As a movie enthusiast, there’s something about being the secretary of a James Bond villain that really appeals to me. With a chuckle, I imagine myself saying, “Mr. Bond, he will be waiting for you in the next room.” That’s it – just that moment, that interaction – is all I aspire for. It sounds simple, but the thrill of being part of such an iconic scene is my ultimate dream.

Absolutely, considering the powerful portrayal you gave in “I’m Still Here,” it wouldn’t be surprising if you were offered the lead role as the antagonist. Remember not to doubt your abilities, Mrs. Torres!

Furthermore, in this episode, filmmaker Coralie Fargeat shares insights about her grisly horror film “The Substance” and maintaining her creative vision throughout the production process. Meanwhile, the panel also explores the implications of recent PGA, DGA wins for Sean Baker’s movie “Anora,” and what these victories might signify for the upcoming BAFTA and SAG Awards events.

Listen to previous podcast episodes

EbMaster Awards Circuit Podcast

The “Awards Circuit” podcast, led by Clayton Davis, Jazz Tangcay, Emily Longeretta, Jenelle Riley, and Michael Schneider (who also produces), serves as a comprehensive platform for engaging discussions about outstanding movies and TV shows. In every episode, you’ll find interviews with prominent film and television personalities and professionals, debates on awards contention, industry news, and much more. To stay tuned, subscribe through Apple Podcasts, Stitcher, Spotify, or any other podcast platform where you download content.

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2025-02-13 22:48