Say Anything…

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Back in 1989, just a few weeks before I graduated from high school, Cameron Crowe stepped into directing with the teen movie “Say Anything…”. At that time, teen movies flooded the market and they frequently fell under similar categories – there were the genuinely amusing comedies, the overly sentimental ones, the outright risqué, and so on. Many of them followed the same patterns, used identical character types, recycled familiar jokes, and stuck to basic storylines.

In contrast to other films, “Say Anything…” seemed unique. One major factor was that Crowe created genuine and relatable characters instead of overly stereotypical ones that could be grating. His affection for these characters was palpable, which resonated with viewers. Additionally, he didn’t adhere strictly to the typical formulas of teen movies or romantic comedies prevalent during that time. While there were some familiar elements, Crowe’s focus extended beyond them. The movie may not have been a blockbuster hit, but it has proven its lasting value over time.

Crowe’s script is filled with witty humor, timed perfectly for maximum effect. It’s not just about the heartfelt romance or teenage turmoil at its core, but the deeply developed and multi-dimensional characters that truly captivate us. Crowe skillfully makes these characters relatable and inspires our support.

The narrative unfolds on the day of graduation at a humble Seattle, Washington high school. John Cusack embodies Lloyd Dobler, an ordinary student lacking a specific life plan. He’s a sincere individual with feelings for Diane Court (Ione Skye), the class valedictorian. On the surface, they seem an unlikely pair, a fact that Lloyd’s close friend Corey (Lili Taylor) is quick to highlight.

In a thoughtful examination, Crowe delves into the individual challenges faced by both Lloyd and Diane. Apart from grappling with an uncertain future, Lloyd is left to reside with his sister and nephew as his parents are abroad. This absence leaves him adrift without guidance. Concurrently, Diane stands out academically in her school, isolating her from her peers. She lacks close companionship, finding solace only in her caring father Jim (John Mahoney).

It’s not hard to see that Lloyd and Diane eventually form a bond. Their feelings for each other are heartfelt but their individual issues add layers of complexity. Notably, the narrative emphasizes the theme of sincerity. Lloyd’s honesty and earnestness significantly contribute to his relationship with Diane. On the other hand, her bond with her father is based on unwavering honesty and trust. As we know from real-life experiences, when trust is violated, it can lead to severe repercussions.

Cusack delivers an exceptional portrayal of Lloyd, capturing the essence of teenage excitement and jitters. He also brings a sense of purity and vulnerability to his character. Skye’s performance is generally solid, but at times she overacts, which can draw unwanted attention. Mahoney stands out as Diane’s father, skillfully avoiding typical ‘movie dad’ stereotypes and playing a more significant role in the latter part of the film.

36 years have passed since I first watched “Say Anything…” but this classic teen flick continues to feel remarkably fresh in a genre that can sometimes feel worn-out and lackluster. What sets it apart is Cameron Crowe’s compassionate portrayal of teenagers as ordinary folks with genuine emotions and intricate lives. The screenplay still resonates today, and his direction remains crisp and insightful. Despite being an 80’s movie, “Say Anything…” possesses a timeless human quality that has never lost its charm.

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2025-01-29 18:57