‘The Girl With the Needle’ Stars Trine Dyrholm and Vic Carmen Sonne Ready for Oscar Campaign in the Trump Era, Talk Abortion Rights: ‘Every Woman Should Be Able to Choose’

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As a passionate admirer, I’m excited to share that “The Girl with the Needle,” starring Trine Dyrholm and Vic Carmen Sonne, is subtly gearing up for its Oscar run. Interestingly, in light of recent U.S. elections, this film – which unfolds in early 20th-century Denmark and tackles unwanted pregnancies – seems strikingly relevant today. The creators themselves have acknowledged this timeliness.

Ever since Trump took office at the White House, it’s been challenging to stay informed about current events and their potential implications. This is true for the abortion ban issue as well. We are aware of what has transpired in various states so far, and it’s heartbreaking. Yet, it seems as though people are becoming more conscious of the topics that the movie centers around. This is a hopeful indication,” contends Vic Carmen Sonne from Göteborg.

A Danish actor portrays Karoline, a character who, after an unsuccessful abortion, takes up employment at what appears to be an adoption agency. However, the agency’s head, Dagmar (played by Dyrholm), who is known for her willingness to assist those unable to care for their children, seems suspiciously secretive about something.

Under the guidance of director Magnus Von Horn, this compelling drama – initially showcased at Cannes and currently nominated for an Oscar as the Best International Feature Film – is loosely inspired by real-life events.

In Poland, where we filmed it, the movie seemed incredibly modern. The people there grapple with similar challenges. Unfortunately, they do not enjoy unrestricted access to abortion, which deeply impacted our entire crew. This emotional resonance was palpable, according to Dyrholm.

Prior to the election, I felt deeply dejected, questioning, “What are our next steps?” But then the event unfolded, and my outlook has been gradually transforming into one of growing optimism. It’s quite odd, truth be told. We must stand united, we must strive for a more robust Europe. At this critical juncture, expressing love is more vital than ever. Let us declare, “We are willing to share because we care.” I truly mean it with all my heart now.

During trying times, people want to share their “fears and desperation,” she argues. 

We’re seeking topics that require thoughtful consideration. This movie tackles issues such as abortion, post-traumatic stress disorder after war, and the unwanted. Many nations are grappling with these challenges. While we have the freedom to choose and live well, it’s not always guaranteed. As the world becomes increasingly polarized, it’s essential to embrace complexity. What’s lacking is nuance. In this moment, cinema serves as a sanctuary where we can pause, think, and reflect.

She stated: “What leads us to accept projects such as this one? It’s primarily because we hold the beliefs we do. Naturally, every woman should have the freedom to choose. In Denmark, we revised the abortion law, making it legal up to the 18th week of pregnancy. Similarly, justifying the necessity of art is also a political matter.

According to Vic Carmen Sonne, the characters in the movie are making the most of their situation.

When a marginalized group loses their rights, including their right to make choices, they lose their ability to express themselves and exercise their existential freedom. As a result, they will resist and fight back.

Karoline is dissatisfied with the current situation. She aspires for a better life, so she encounters her own Prince Charming at his castle. There’s an agreement between the Prince and a Beggar Girl, but Karoline takes the initiative to uphold it. It’s not manipulation: it’s her strong-willed nature.

fundamentally, “The Girl with the Needle” is intended to serve as a commentary on society itself, rather than passing judgment on its characters who are frequently portrayed in extreme circumstances.

Structures and hierarchies are crucial, yet excessive pressure can lead people into shadowy realms. This is exactly what Dagmar represents. However, she simultaneously alleviates the girls’ sense of guilt by suggesting that they may not have a future for themselves, but their child will. Moreover, she implies that life is dreadful and we must conceal this fact.

It’s crucial not to pass judgment on your characters, just as you wouldn’t judge people. We tend to categorize them, like separating ‘Trump and his team’ from ‘the good guys.’ However, this approach doesn’t yield results. You can express dislike for certain actions, but at some point, we must find common ground. We don’t need to agree on everything, but we should care for each other. Let’s revive old values such as peace, love, and compassion.

Her co-star comments: ‘Much of this behavior stems from fear. When one senses a loss of control, resources, or ability to support loved ones, they yearn for an authoritarian figure. They’re drawn towards the most assertive voice. I believe many individuals worldwide haven’t been made aware of their inherent worth, that they are valued, and that their opinions matter. That recognition is crucial.’

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2025-01-29 13:48