In her hotel room in New York City, Fernanda Torres maintains an unruffled composure despite the turbulent past few weeks she’s experienced. Having recently triumphed at the Golden Globes for Best Actress (Drama) due to her powerful portrayal in “I’m Still Here,” Torres is now preparing for a guest spot on “Jimmy Kimmel Live!” this coming Thursday. This is an exciting period for the actress, as Hollywood is only recently recognizing her exceptional talent. However, to the people of Brazil, she is already a familiar figure, revered for her sharp wit, fearless acting, and commitment to showcasing Brazilian narratives on a global platform.
In her native country, Torres is more than just an actress — she’s a national treasure.
Online, someone quipped that America has Taylor Swift while Brazil has Fernanda Torres, but Torres takes this comment in stride, laughing it off with her usual grace.”
This version maintains the original meaning and style, while making it more natural and easy to read. It also uses active voice, which is generally preferred in writing for clarity and conciseness.
Torres says, ‘For many years I’ve been a presence,’ speaking to EbMaster. ‘Back in Brazil, I’m quite renowned. It seems the rest of you are just starting to recognize me now. Better late than never, don’t you agree?’
The praise for Marília’s performance in “I’m Still Here” is absolutely justified. In this true-to-life story, she plays Eunice Paiva, a woman whose husband was taken into custody by Brazilian military police in 1970 and mysteriously disappeared without a trace. This film, which received a 10-minute standing ovation at its Venice Film Festival premiere, is one of the year’s finest, and there’s been a growing buzz for Marília as we approach Oscar voting’s final days.
Known as the “Brazilian Nicole Kidman,” Torres initially garnered notice back in 1986 when she shared the Best Actress award at Cannes Film Festival with Barbara Sukowa for her work in “Love Me Forever or Never.” In her home country, she became a household name through the popular sitcom “Slaps & Kisses” and gained a younger following due to internet memes highlighting her comedic skills.
However, she triumphed at the Golden Globes against esteemed actresses like Angelina Jolie (Maria) and Kate Winslet (Lee). This wasn’t just a personal triumph, but a source of national pride for Brazil. Torres remembers a profoundly emotional moment following the ceremony.
But eventually, she outshone Hollywood heavyweights Angelina Jolie (Maria) and Kate Winslet (Lee) at the Golden Globes. This wasn’t just her personal success but a point of national pride for Brazil. Torres recalls an incredibly touching moment post-ceremony.
Torres remarks, “The woman on the news stated, ‘I felt like she had won when she did,'” she says softly but confidently, her eyes glistening with emotion. This wasn’t merely an acknowledgment of me, but of Brazil as well. After all, my mother [Oscar-nominated actress Fernanda Montenegro] with ‘Central Station,’ and now me? It feels like a national honor. It demonstrates to the world the immense talent our country possesses.
Torres attributes a significant portion of her success to Brazil’s lively digital community. With over 200 million Brazilians enthusiastically backing her, the actress emphasizes that Brazil’s strong online presence played a crucial role in her journey towards international fame.
She states that Brazil is a heavyweight in internet usage. We consume the internet extensively. A decade ago, I wasn’t keen on being online or exposing my personal life. However, my agent emphasized its importance for my theater career, so we constructed an online presence based on that. Now, following the Golden Globe award, it has skyrocketed, leaving me in a state of disbelief.
The way they’ve utilized social media strategically and organically appears to have replicated the success of viral campaigns, such as the one for the stars N.T. Rama Rao Jr. and Ram Charan from India’s “RRR” movie. Their online interaction helped catapult the song “Naatu Naatu” to win an Oscar. These posts and tweets have garnered millions of views, focusing attention on a film that could potentially earn additional nominations in categories like adapted screenplay and even best picture.
During the past year, Torres, her team, and the filmmakers encountered unforeseen hurdles as Brazil’s Supreme Federal Court restricted Twitter access for all Brazilians from August to October 2024. This contentious decision displeased numerous artists and filmmakers who utilize social media to interact with their fans.
“That was a problem,” Torres recalls. “Brazil is a power machine when it comes to the internet.”
Overcoming various obstacles, Torres has warmly taken on her increased prominence. Social networking sites such as Instagram and TikTok have enabled her to reach global audiences, and in keeping with the vibrant spirit of Brazil, a Carnival block bears her name.
She exclaims, laughing yet clearly proud, “This is the pinnacle of my career! To see a procession celebrating me in the streets? That’s truly extraordinary.
Should Torres be nominated for an Oscar, she would have the distinction of being the fifth Latina ever nominated in the Best Actress category – a category that has yet to produce a winner. This potential recognition is a significant milestone that Torres acknowledges with seriousness.
Torres acknowledges he dislikes setting expectations. He doesn’t want the journey of this movie to conclude with a sense of ‘They didn’t understand.’ This year is unpredictable, filled with remarkable performances. However, what I am certain of is that we have given it our all – screenings, interviews, everything Sony Pictures Classics requested from us. Whatever the outcome may be, whether it happens or not, I already feel incredibly honored.
Torres acknowledges Sony Pictures Classics (SPC) and its co-presidents, Michael Barker and Tom Bernard, for their unwavering commitment towards making people watch the movie. She labels their promotional strategies as traditional yet effective and commends the expanding inclusivity within the industry towards varied and mature storylines.
2021 has been extraordinary for actresses beyond a certain age, according to Torres. He points out captivating performances by Nicole Kidman in “Babygirl” and Demi Moore in “The Substance”. It’s delightful to see that intriguing characters are no longer reserved for the young. The industry is evolving, and it’s thrilling to be a part of this transformation.
Receiving an Oscar nomination could see Torres and her mother, Fernanda Montenegro, join the exclusive group of mother-daughter Oscar nominees. This recognition would further enshrine their family’s acting lineage among renowned dynasties such as Judy Garland and Liza Minnelli, Diane Ladd and Laura Dern, and Janet Leigh and Jamie Lee Curtis.
Although Torres has achieved international fame, her origins are deeply rooted in Brazil. When asked about identifying as part of the Latino community, a subject she discussed during her acceptance speech at the Latino Cinema and Television celebration (where she received the award for best actress – international), Torres ponders the distinctive role of Portuguese-speaking Brazilians within the Latin world.
As a movie buff, I might say something like: “Even though 200 million people worldwide share my mother tongue, Portuguese, in Brazil, it feels as if we’re lost in translation. In cities like Miami or Los Angeles, Spanish is the lingua franca. But let me tell you, we’re family – part of the grand Latin tapestry, albeit with our unique dialect. It’s a bittersweet sentiment, but I stand tall and proud here, representing Brazil and the Portuguese-speaking world on this stage.
Moving forward, Torres stays dedicated to sharing significant narratives, regardless of their origin.
She explains that her work in Brazil and abroad is essentially the same. If an excellent opportunity arises, be it locally or back home, she’s ready to seize it. Her ambition lies in continuing to narrate impactful tales.
For Torres, the triumph of “I’m Still Here” transcends accolades; it’s a tribute to Eunice Paiva’s legacy and an initiative to ignite worldwide discussions about Brazil’s past.
She expresses surprise that this movie wouldn’t end up at the Golden Globes or Oscars, but its true purpose was to share Eunice Paiva’s story and preserve her memory. If it manages to connect with people and initiate a discussion, then that’s the genuine triumph.
The impact of this production is being felt strongly, as the movie launches in American markets today, and in Brazil, it has already earned over $12 million on a budget of just $1.5 million. That’s quite an achievement for a Brazilian film powerhouse!
In a year filled with change and unpredictability, Torres stands out as a beacon of resilience, enthusiasm, and artistic talent. Regardless of whether or not she wins an Oscar, it’s indisputable that the world is now recognizing the brilliance Brazil has long cherished.
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2025-01-16 01:48