Instead of the typical Dick Wolf dramas you see on TV, “On Call” from Wolf Entertainment offers a unique take.
The streaming series, titled “Wolf Entertainment,” is set to debut as the company’s inaugural scripted production, with all nine episodes premiering on Amazon Prime Video on January 9. This marks the initial half-hour drama produced by Wolf Entertainment, as well as the first creation of Elliot Wolf and Tim Walsh.
In their own view, what stood out most was the shared desire to demonstrate our capabilities. We seemed to carry an internal pressure to excel, not just to create something remarkable, but to fashion it uniquely compared to everything we’ve worked on before and what currently dominates TV programming. This is what Wolf communicates to EbMaster.
Elliot Wolf, Dick Wolf’s son, has been leading Wolf Entertainment’s digital division for quite some time now, managing the company’s online content and scripted podcasts. The concept behind “On Call” originally emerged during a time when short-form series were just gaining traction on social media platforms.
The speaker mentions that nothing is more relatable than an iPhone, as you can find dash cam and body cam footage everywhere online and in the news. This is something we encounter in our daily lives. He talks about creating a storytelling experience or fictional event that feels just as real and intense, making viewers feel like they’re right there with the characters, specifically police officers.
During their early discussions about the show, he notes that they were considering how to make this realistic and visceral experience possible. As short-form content seemed to be losing popularity before regaining it, he began thinking of a half-hour format for the show instead. This approach resonated with him because if you look back at prime-time schedules from the 1950s and 1960s, they were filled with half-hour procedural dramas, and there aren’t any like that around today.
This show primarily focuses on veteran officer Traci Harmon (Troian Bellisario) and her trainee Alex Diaz (Brandon Larracuente), using extensive body camera footage. Unlike other Wolf Entertainment series, the storylines strictly follow the characters during their work hours, not delving into their personal lives. This decision was made from the start as the show is centered around individuals who just so happen to be police officers, and this aspect is crucial in shaping each character’s development.
The core and essence of this show lies in the relationship between Harmon and Diaz, particularly their intense moments and those that expose each character’s vulnerability. This usually happens when they are in the car,” he explains. “When we started writing, Dick emphasized that every episode should feel like it’s launched from a cannon.
Among the nine ongoing Wolf Entertainment shows currently airing (consisting of three “Law & Order” series, three spinoffs from “One Chicago”, and three “FBI” series), they all exist within the same fictional world. However, “On Call”, being set in Long Beach, California, differs geographically from New York, Chicago, or Europe where the other shows are based. Therefore, one might wonder if it belongs to the same universe.
“They never are until they are,” Wolf says, coyly.
The story begins by introducing Monica Raymund, portraying a police officer who meets her end in the line of duty; this actress is notably recognized for her 139 episodes as paramedic Gabby Dawson on “Chicago Fire.” However, playing a distinct character on “On Call” doesn’t mean these shows don’t exist within the same fictional world.
I’ve noticed some fascinating instances of this, let me share: Dylan McDermott and Jesse Lee Soffer have both switched roles within the same TV universe, starting with “Chicago P.D.” and then moving on to “FBI: Most Wanted” and “FBI: International,” respectively. Quite remarkable, isn’t it?
Wolf suggests that many individuals might need to deal with numerous issues should such an event occur, as we reside on the western coast and it’s easily reachable by airplane. However, he remains uncertain and simply says, ‘We’ll see.’
Additionally, he shared insights into working as a novice creator under his father’s guidance, highlighting the assistance he received during that time.
He played a significant role in many crucial decisions throughout the development phase. He often compares himself to a baseball manager, as he arranges the lineup, but ultimately, it’s the players who need to hit home runs. I believe he excelled at letting us take our swings, while still offering his valuable insights and guidance,” Wolf states. “His sole piece of advice was simply, ‘Don’t mess things up.’ On the first day, just like with every show, he came in and directly addressed me, saying, ‘Don’t mess it up.’
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2025-01-09 23:46