As a seasoned cinephile who’s spent countless hours immersed in the rich tapestry of cinema, I must confess that “Queer” has left an indelible mark on my cinematic psyche. Luca Guadagnino’s masterful adaptation of William S. Burroughs’ semi-autobiographical novel is a testament to the power of love, loss, and longing, beautifully encapsulated by Daniel Craig’s poignant portrayal of Lee, a character as complex as he is captivating.
“Guys, let’s be adults in the room for one second,” Luca Guadagnino sighed midway through the Venice press conference for Queer. An Australian journalist had just asked if there would ever be a gay James Bond, prompting a theatrical shrug from Guadagnino. “Nobody will ever know James Bond’s desires,” he deadpanned. “The important thing is that he does his missions properly.”
They are remarkably more explicit compared to those found in Brokeback Mountain or Guadagnino’s own Call Me by Your Name. (To clarify, the explicit scenes involve male full-frontal nudity, but not from Craig.)
At a news conference, Guadagnino praised the generosity of his main actor, stating that very few famous actors let their vulnerability show: “Few iconic performers allow their fragility to be exposed.” This vulnerability is apparent not just because in the film Queer, the former James Bond is portraying a bisexual drug addict. In an even more daring departure, he also plays a character who you wouldn’t want to be seen with at a social gathering – the least charming character Craig has ever played on screen. Lee comes across as awkward, draining, and painfully insecure. After intimacy, he can’t help but ask his partner, “Is this not bothersome for you?” (The answer is far from comforting: “Not very.”) He’s in such a bad state that 1950s music fails to contain him; only the power of Nirvana helps us truly grasp his desire.
The numerous romantic encounters in “Queer” serve a dual purpose: they offer an opportunity to appreciate the physiques of Craig and Starkey (which they certainly do), but more importantly, they demonstrate how a love scene can propel a story forward. It’s evident that Lee is experienced in providing pleasure, as seen by his initial shock when he experiences it himself, which explains why he pours so much of himself into the younger man.
The film climaxes with a trip to Ecuador, where Lee seeks a plant — yage, otherwise known as ayahuasca — that he believes will give him telepathic powers. (Yes, this tender gay love story shares key plot similarities with Madame Web.) Without spoiling too much, the jungle becomes the backdrop for a wordless dance, the two men getting to know each other under the skin. As Craig and Starkey explained, the months of rehearsals for this sequence helped prepare them for the nude acrobatics to come.
Craig remarked, “Dancing with someone can be an excellent way to start a conversation,” he added, “Shooting a love scene for a movie isn’t necessarily intimate. Our goal was to make it as genuine, heartfelt, and authentic as possible. There were moments of laughter, you understand? We tried to keep it enjoyable.”
In my case, I found myself eager to explore novel experiences. As it turns out, engaging in playful activities like rolling around on the ground with someone during our second encounter seems to be an effective means of fostering connections.
Last week, ‘Queer’ was purchased by A24, who are planning to launch an Oscar campaign for actor Craig, although they may face competition from Colman Domingo of ‘Sing Sing’. Craig portrays William S. Burroughs in the film, a figure whose sexuality wasn’t widely known until the book ‘Queer’ was published in 1985. To prepare for the role, Craig watched old interviews of the author, describing his persona as deep and measured, saying “I thought, that can’t be him. Or it’s only part of him. It may be a defense.” Reading the book helped Craig understand the private side of Burroughs, stating that ‘Queer’ is about love, loss, loneliness, and yearning.
The performance given by Craig in this instance was exceptionally relatable to humans, marking a notable return to top-notch acting since his role in Girl With the Dragon Tattoo. (Notably, Queer showcases Craig’s most outstanding glass acting since then.) Burroughs penned the book shortly after the events it depicted, only to keep it secret for three decades due to embarrassment. In numerous aspects, the film serves as a historical artifact capturing queer culture in the 1950s: the internal conflict, social cliques, and even fashion trends of the era. As costume designer J.W. Anderson pointed out, every piece of clothing in the movie was genuine vintage from that time. Interestingly, it was the authenticity of the clothing, rather than the explicit sex scenes, that posed the most significant challenge for the lead actor.
“I couldn’t spill coffee,” Craig said.
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2024-09-03 23:12