As a longtime observer of the whimsical world of television awards, I must say that this year’s Golden Globe nominations have left me both intrigued and amused. The recognition for shows like “The Bear” and “Nobody Wants This” underscores the ever-evolving landscape of streaming services vying for top honors.
This morning, the Golden Globe Awards announced their nominations, presenting an interesting mix of unexpected contenders and notable absentees that could potentially alter the awards scene. As the voting period for the Oscars is about to commence soon, it seems that the voters of the Golden Globes have again proven themselves as a significant force in shaping momentum and predicting what may unfold during Hollywood’s most prestigious award season.
The Spanish musical “Emilia Pérez” by Jacques Audiard became the most talked-about news this morning, earning an impressive ten nominations. This achievement not only broke the Golden Globes record for a comedy or musical film, surpassing “Cabaret” (1972) and the upcoming “Barbie” (2023), both of which held the previous record with nine; but also boosted Netflix’s dominance in the film industry with twelve nominations overall. Above all, it solidified “Emilia Pérez” as a strong contender for the best picture award this year.
These announcements come at a particularly exciting time during the season, as today is the last day to submit ballots for the Critics Choice Awards. At the same time, voting for the Oscar shortlist commences in ten categories such as documentary feature, international feature, sound, visual effects, and more. The SAG Awards voting starts next week on December 16th, making the competition even more intense.
On the small screen, the Golden Globes nominations reveal an industry in transition. Again, Netflix had a standout day, racking up seven series noms across its programming slate. Leading the charge were dramas “The Diplomat” and “Squid Game,” comedies “The Gentlemen” and “Nobody Wants This,” and limited series “Baby Reindeer,” “Monsters: The Lyle and Erik Menendez Story,” and “Ripley.” However, FX’s “The Bear” claimed the top spot for all shows with five mentions, keeping up its status as a critical darling. The culinary dramedy has now secured its third consecutive nom, solidifying its place in awards history. Hulu’s “Only Murders in the Building,” another perennial favorite, also fared well (minus the Meryl Streep snub), continuing its streak of recognition for its sharp writing and ensemble performances.
The nominations spark significant discussions concerning how these selections might impact the Oscar competition. Can “Emilia Pérez” maintain its forward motion within a more conventional Academy environment? Will Netflix continue to rule as a versatile platform that excels in both drama and comedy, as well as limited series? Furthermore, what does the massive success of “The Bear” suggest about the expanding acceptance of blended genres on television?
Delving into 15 key insights and crucial queries arising from this season’s Golden Globe nominee announcements, here I am, your enthusiastic viewer, sharing my thoughts!
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Drama Between ‘Brutalist’ Vs. ‘Conclave’
Brady Corbet’s grand historical film “The Brutalist” and Edward Berger’s suspenseful religious movie “Conclave” were significant nominees, each receiving seven and six Golden Globe nominations respectively, falling just behind the musical “Emilia Pérez”. Both films have been regarded as strong contenders for the top Oscar award due to industry talk and positive critiques.
Focus Features is placing their bets on the strength of the preferential voting system, as well as potential victories for Ralph Fiennes in the Best Actor category (Drama), and Peter Straughan for Best Screenplay.
About the film “Brutalist,” which A24 acquired following its premiere at Venice, it has been seen as a strong contender in various categories, such as directing, acting (for Adrien Brody), and many craft awards. Adrien Brody’s nomination, which arrives 22 years after his Oscar win for “The Pianist,” garnered significant praise from New York Film Critics.
The movie’s path has shown some resemblance to the 2002 awards season, where “The Pianist” triumphed in categories like directing (Roman Polanski) and adapted screenplay (Ronald Harwood), only to be beaten in the best picture race by another musical, “Chicago.” Could “The Brutalist” potentially mirror this pattern if the Academy favors either “Emilia Pérez” or “Wicked,” instead of choosing it for the top prize?
history doesn’t come with any promises. When it comes to drama, a win at the Globes for Best Picture doesn’t necessarily mean an Oscar win in the top category. Movies such as “1917,” “Three Billboards Outside Ebbing, Missouri,” “The Revenant,” “The Social Network,” and “Babel” were Globe winners, but they ended up losing the Academy Award for Best Picture to “Parasite,” “The Shape of Water,” “Spotlight,” “The King’s Speech,” and “The Departed.
Remarkable is the fact that James Mangold’s “A Complete Unknown” has been added to the drama category, and there’s a possibility that its lead actor, Timothee Chalamet, might win an award for his performance. Unfortunately, “Dune: Part Two” didn’t make much of an impact with just two mentions (one of which is ineligible), and it’s puzzling why it wasn’t included in the box office category. This suggests a challenging path ahead for Denis Villeneuve’s critically acclaimed sci-fi film.
What Does the Sole Drama Noms for ‘Nickel’ and ‘September’ Mean?
Two days after “Nickel Boys” by Amazon MGM Studios and “September 5” from Paramount Pictures shared the prize for best editing at the L.A. Film Critics Awards, they both made it into the best picture (drama) category, but they were the only nominees in this category. Interestingly, only seven films in history have been nominated for a single Golden Globe for best picture (drama): “The Great Debaters” (2007), “La Bamba” (1987), “In Cold Blood” (1967), “The Professionals” (1966), “The Chalk Garden” (1964), “The Great Escape” (1963) and “The Inspector” (1962). Remarkably, none of these films went on to receive an Oscar nomination for best picture.
Besides the unexpected nominations, it’s worth noting the films that were released yet didn’t receive as much recognition, such as A24’s prison drama “Sing Sing,” which earned a solitary nod for Colman Domingo, and Bleecker Street’s British character study “Hard Truths,” unfortunately not receiving any nominations.
As a cinephile, I’m eagerly awaiting to find out more about the ongoing success of “The Nickel Boys” and “September 5”. It’ll be fascinating to track their journey and observe how they fare in the future.
Is the Best Picture Winner From Comedy/Musical?
Among three potential contenders for the Best Picture Oscar – Sean Baker’s heartfelt indie “Anora” (winner of Palme d’Or), Jacques Audiard’s acclaimed nominee “Emilia Pérez,” and Jon M. Chu’s popular musical “Wicked” – all seem to be strong competitors, particularly in the comedy/musical category at this year’s Golden Globes. The diversity of these films hints at a comeback for these genres; however, the critical question is: Which movie will secure the victory for its studio and ultimately win at the Oscars?
It’s worth remembering that success in the comedy/musical category at the Globes doesn’t always translate to Oscar glory. In recent years, notable examples include “The Banshees of Inisherin,” which triumphed at the Globes only to lose the best picture Oscar to “Everything Everywhere All at Once” (2022). Similarly, “The Grand Budapest Hotel” charmed its way to a win, only to watch “Birdman” (2014) dominate the Oscars ceremony.
Without a doubt, if the Golden Globe organizers aim to capture the highest viewer engagement, it would be prudent to place the comedy/musical categories towards the end of the show this year. The lineup boasts heavyweight contenders and fan favorites that are likely to keep viewers riveted till the very end.
A Winning Advantage for One Drama Actress
There’s been increasing agreement that the category for Best Actress is particularly tough to call, boasting an impressive array of contenders. The nominees are Pamela Anderson for “The Last Showgirl,” Angelina Jolie for “Maria,” Nicole Kidman for “Babygirl,” Tilda Swinton for “The Room Next Door,” Fernanda Torres for “I’m Still Here” and Kate Winslet for “Lee.” Each actress delivers a remarkable and captivating performance, making the competition all the more intense.
Among the nominees, Torres is unique because her film was acknowledged not just in the main category, but also in the Non-English Language category. Does this double recognition indicate she’s most likely to win? Industry experts and discussions among voters suggest that Torres is a strong favorite with the members, which could strengthen her chances of winning. However, the performances by Kidman and Jolie have also received considerable backing.
For Anderson and Swinton, the nominations serve as a significant boost of energy. Their award recognition had been relatively quiet before the announcements. As for Winslet, her dual nomination – with her miniseries “The Regime” nod included – brings an engaging twist. The last time Winslet received two Golden Globe nominations was in 2008, eventually winning both for “Revolutionary Road” and “The Reader.” Could she win again this year?
‘Wicked’s’ Director Doesn’t Fly. What Is He Out of the Running?
Among the unexpected absences at this year’s Globes was Jon M. Chu, in the director category for Universal’s “Wicked.” This oversight sparked a wave of comments on social media: “The prospects for ‘Wicked’ in both the directing and best picture categories seem to be dwindling,” or simply put, “It looks like the end of the road” for “Wicked’s” chances in those categories.
Not so fast, Ozians.
History demonstrates that not receiving a Golden Globe award doesn’t automatically mean failure. Five films have managed to win the Academy Award for Best Picture, even though their directors were not recognized by the Golden Globes: “CODA” (2021), “Crash” (2005), “Driving Miss Daisy” (1989), “Chariots of Fire” (1981) and “The Sting” (1973). Interestingly, there have been instances where directors missed out on a Golden Globe nomination but still won the Academy Award. Two such examples are Roman Polanski for “The Pianist” (2002) and George Roy Hill for “The Sting.
Although it’s not a completely new situation, Chu’s absence from the list adds more importance to “Wicked” as the series progresses and temperatures rise. The Directors Guild of America nominations, which will be announced in January, play a crucial role in deciding if the film’s directorial concept can still pave its way towards triumph on Oscar night.
Additionally, it’s important to note that “overachieving” can sometimes be disadvantageous when it comes to Oscar campaigns. For instance, consider the case of “Barbie,” which garnered nine nominations at the Globes and a record-breaking 18 mentions by the Critics Choice Association last year.
For now, it’s still anyone’s game.
Is ‘All We Imagine as Light’ the New ‘Anatomy of a Fall?’
India is the new France, at least in the Oscar international feature world.
After years of contentious selections — most notably not choosing “Anatomy of a Fall” over “The Taste of Things” last year — France appears to have finally realigned its strategy with Jacques Audiard’s “Emilia Pérez,” proven by its 10 noms. In contrast, India’s choice to bypass Payal Kapadia’s Cannes Grand Prix winner, “All We Imagine as Light,” in favor of “Lucky Ladies,” turned some heads. Many believe that Kapadia’s film possessed the thematic depth and cinematic artistry to be a true challenger to “Emilia.”
Although “All We Imagine” isn’t India’s official submission, it’s making waves in the U.S. The movie has secured distribution through Janus Films and Sideshow, who also backed the Best Picture nominee “Drive My Car.” This puts Kapadia’s film on track for a strong awards push. Its recent wins in Foreign Language categories at both the L.A. and Gotham Film Festivals demonstrate its strength. Furthermore, being recognized in two categories – non-English language and director – boosts its visibility and credibility amidst the competitive awards circuit.
This might resemble the path “Anatomy” took last year, leading to five Oscar nominations and one win in the original screenplay category. The role of BAFTA is crucial this time around.
‘A Real Pain’ is a Real Possibility for Jesse Eisenberg Hat Trick
The film “A Real Pain,” penned, steered, and brought to life by Jesse Eisenberg, under the banner of Searchlight Pictures, received significant recognition during the nominations. It garnered mentions in various categories, including Best Picture (Comedy), Supporting Actor (Kieran Culkin), and both Lead Actor and Screenplay, with Eisenberg being acknowledged in both these latter categories.
So far, Glen Powell’s captivating role in “Hit Man”, Jesse Plemons’ award-winning performance in “Kinds of Kindness” and Sebastian Stan’s double nomination for “A Different Man” have been considered the leading contenders. However, Eisenberg’s growing momentum, backed by the screenplay win of “A Real Pain” from L.A., and Culkin’s current wave with other critics groups indicate that he shouldn’t be overlooked in these awards races.
Should Eisenberg win at the Globes, he might join an exclusive group of actors who have self-directed their way to an Oscar nomination, which includes Bradley Cooper (“A Star Is Born,” “Maestro”), Denzel Washington (“Fences”), and Clint Eastwood (“Million Dollar Baby,” “Unforgiven”). Eisenberg, a past Oscar nominee for “The Social Network” (2010), has demonstrated his ability to deliver captivating performances that the Academy appreciates, and his work in “A Real Pain” is no less impressive.
Two Sebastian Stans Are Better Than None
Sebastian Stan has significantly increased his presence during award season, receiving two leading nominations. One nomination is for his bold portrayal of Donald J. Trump in the drama “The Apprentice,” while the other recognizes his heartfelt performance as a man dealing with neurofibromatosis in the dramedy “A Different Man.
Standing out in such a unique manner, Stan finds himself among a select group of talented actors. The last individual to earn double leading roles nominations in both drama and comedy genres was Julianne Moore back in 2014, with her Oscar win for “Still Alice” alongside her nomination for “Maps to the Stars.” Among male performers, he now shares this distinction with Ryan Gosling (in 2011, nominated for both “The Ides of March” and “Crazy, Stupid, Love”), Tom Hanks (1993’s double nods for “Philadelphia” and “Sleepless in Seattle”), and Dustin Hoffman (early accomplishments in 1970 with “Midnight Cowboy” and “John and Mary”). It is noteworthy that only Gosling, of this group, did not eventually receive an Oscar nomination, highlighting the significance of this achievement.
Stan’s chances of winning an award are boosted by his co-star Jeremy Strong, who was nominated for Best Supporting Actor in “The Apprentice.” This could make a difference when it comes to Academy voters, especially since this year’s lead actor field is not particularly strong. However, there are obstacles ahead. The fact that he has two standout performances might cause vote-splitting, which could hurt his chances at the Oscars. Additionally, “The Apprentice,” despite its praise, has received mixed reactions due to the controversial nature of its subject matter. On the other hand, “A Different Man,” which won Best Feature at the Gothams, might be more appealing to voters. Could there still be a chance for our beloved “Winter Soldier?
Diversity and Representation Highlights
At the Globe Awards, there were both celebrated achievements and surprising omissions that highlighted the importance of diversity and representation.
This year saw a significant increase in representation for Latino actors, with Afro-Latinos shining particularly brightly. Colman Domingo received a nomination for his impactful performance in “Sing Sing,” while Zoe Saldaña, who was exceptional in “Emilia Pérez,” was joined by Selena Gomez, who earned another nod for her role in the TV comedy series “Only Murders in the Building.” Fernanda Torres, nominated for “I’m Still Here,” follows in the footsteps of her mother, Fernanda Montenegro, who was honored in 1998 for her work in “Central Station.” On television, Liza Colón-Zayas (“The Bear”), Sofía Vergara (“Griselda”), and Diego Luna (“La Máquina”) all received well-deserved nominations. Notably, the Uruguayan director Fede Álvarez’s film “Alien: Romulus” was recognized for its box office success and cinematic achievement. Despite this, Nicholas Alexander Chavez, the sole Latino main actor in “Monsters: The Lyle and Erik Menendez Story,” was overlooked, even as his co-stars Javier Bardem and Cooper Koch were acknowledged.
In the world of film and television, notable Black actors such as Denzel Washington (“Gladiator II”), Zendaya (“Challengers”), Cynthia Erivo (“Wicked”), along with Saldaña and Domingo, were prominently featured. However, it was felt that some significant figures were overlooked, including Danielle Deadwyler (“The Piano Lesson”), Clarence Maclin (“Sing Sing”), Marianne Jean-Baptiste (“Hard Truths”), and RaMell Ross (director of “Nickel Boys”). On the television side, Jamie Foxx’s comedy special received recognition, as did Quinta Brunson (“Abbott Elementary”), Ayo Edebiri (“The Bear”), and Donald Glover (“Mr. and Mrs. Smith”).
On television, talented individuals such as Ali Wong, Ramy Youssef, Tadanobu Asano, Hiroyuki Sanada, Anna Sawai, and Maya Erskine were recognized. Meanwhile, there’s a lot of anticipation for Indigenous actress Kali Reis to emulate Lily Gladstone’s historic achievement in last year’s “Killers of the Flower Moon” (“True Detective: Night Country” on HBO/Max), with her own nomination.
Karla Sofía Gascón hit a significant milestone for the LGBTQ community with her nom for “Emilia Pérez, ” becoming the first out trans performer to be nominated in a top film acting category (“Pose” actor Michaela Jaé Rodriguez won the TV actress comedy in 2022). Non-binary actor Emma D’Arcy was among the TV nominees for “House of the Dragon” in lead drama actress, along with other openly gay actors such as Jodie Foster and Kali Reis (“True Detective: Night Country”) and Richard Gadd (“Baby Reindeer”). That also included film nominees such as Domingo and Erivo.
Globes Message to Oscars: Take ‘The Substance’
As a film enthusiast, I was utterly captivated by Coralie Fargeat’s groundbreaking and raw film “The Substance.” This masterpiece garnered no less than five Global nominations, recognizing its merit in various categories such as Best Picture (Comedy), Directing, Screenplay, Actress (Demi Moore), and Supporting Actress (Margaret Qualley). This is a remarkable achievement for the often-overlooked horror genre. However, the bigger question lingers: Will the Academy dare to embrace this bold, genre-defying choice?
The movie that took home the screenplay award at Cannes has been praised by critics for its bold storytelling, with many highlighting its astonishing, turbulent third act. There’s potential support from international voters for its inventive style, but it’s traditionally difficult to gain recognition from Hollywood’s more traditional (elitist?) voting group for a horror film. However, the movie’s popularity is undeniably growing.
As a lifelong movie enthusiast, I find it truly captivating to witness such full-circle moments in Hollywood. Growing up, I fondly remember the iconic film “Ghost” (1990), where Demi Moore and Andie MacDowell delivered outstanding performances, garnering them both Golden Globe nominations. Little did I know back then that one of these talented actresses would have a similar milestone decades later. It’s fascinating to see that this year marks Demi Moore’s first film-side Golden Globe nomination since “Ghost,” and her co-star in the current project, Qualley, was not even born when Andie MacDowell was nominated alongside her mother for “Green Card.” It just goes to show how interconnected and cyclical the world of cinema can be. As a film buff, I find these connections truly enchanting and always look forward to seeing what unfolds next in the careers of these remarkable actresses.
‘Squid Game’ Sole Nom Puts Spotlight on Difficulty for Late-Breaking TV Releases
In 2021, the first season of Netflix’s “Squid Game” received three nominations at the Globes, including one for Best Drama Series. Since then, it’s been three years and the show, which broke records as the most-watched series on Netflix, only received a single nomination this year in the same category. However, don’t take this as a sign of waning popularity. The second season was made available to Globe voters for consideration (although it won’t be released until December 26), but unlike late-breaking films that can gain momentum through fall festivals and other events, TV award seasons often overlap, making it challenging for new releases to gather steam before the voting process ends.
It’s no walk in the park for a series like “Atlanta” or others to go on an extended break, only to return again. Yet, “Squid Game” has re-entered our discussions, and it’s eagerly anticipating another shot at Emmy glory now that “Succession” has concluded its season.
‘Abbott Elementary’ Continues to Represent Broadcast TV
Although broadcast networks made a comeback in the Emmy competition earlier this year, amassing 38 nominations apiece from ABC and CBS, the story was different for Golden Globe nominations.
In a unique turn of events, ABC’s popular mockumentary series “Abbott Elementary” is the only broadcast show to secure nominations this time around, earning nods for Outstanding Television Comedy Series and Quinta Brunson in the Lead Actress category. The competition was largely taken over by streaming platforms (with a touch of cable too). Following its triumph as the top first-season show, “Abbott” was dethroned by “The Bear” last year.
Could the highly praised comedy series continue its fantastic fourth season by possibly returning to the stage of the Beverly Hilton’s grand ballroom once more?
Everybody Wants This Kristen Bell & Adam Brody Awards Run
Netflix has consistently aimed to lead in the TV comedy awards category, with shows like “Orange Is the New Black,” “Unbreakable Kimmy Schmidt,” “Master of None” and “Wednesday” receiving recognition but ultimately missing out on the highest honor. However, it seems that Netflix might finally achieve a breakthrough with the romantic comedy series titled “Nobody Wants This.
Featuring Kristen Bell and Adam Brody, this series revolves around an unusual bond between a non-believer woman and a rebellious rabbi, resonating with both viewers and critics. This unique dynamic has earned the show three Golden Globe nominations – for Best Comedy Series, Actor, and Actress – which is reminiscent of its performance at the Critics Choice TV Awards last week. Boasting a 94% rating on Rotten Tomatoes and a rapidly expanding fanbase, “Nobody Wants This” might enable Netflix to secure its second Golden Globe victory for a comedy series since “The Kominsky Method” in 2019.
Without a doubt, this streaming show’s comedic performance is their prime candidate for Emmy nominations next year, and they’re committed to ensuring its success.
‘The Penguin’ Didn’t Waddle, It Sprinted Into Emmy Race
This year, the crime drama miniseries “The Penguin” on HBO/Max has secured a spot in the TV awards discussion with three nominations for Colin Farrell, Cristin Milioti, and the limited series category. It shares this recognition with its network counterpart, “House of the Dragon,” among the genre shows that have been highlighted.
As a film enthusiast, I find myself drawn to the intriguing competition brewing among this year’s contenders. Colin Farrell, who won the Globe for “In Bruges,” is proving to be a formidable adversary, giving Richard Gadd, winner of the Emmy for “Baby Reindeer,” a run for his money. On the other hand, Phoebe Milioti’s notable performance has her poised as an underdog in the actress category. If her talent prevails, she could surprise us all and outshine HBO/Max’s Jodie Foster, who is currently shining in “True Detective: Night Country.
It’s worth noting that the Globes and Emmys awards have coincided in this category for five consecutive years. However, history has shown that there can be unexpected winners. Notable upsets include Patricia Arquette winning for “Escape at Dannemora” instead of Regina King from “Seven Seconds”, as well as Drew Barrymore’s win for “Grey Gardens” over her Emmy-winning co-star Jessica Lange.
“The Penguin” could go far.
‘The Bear’ Is Still Strong (And Still a Comedy)
Following a notable Emmy snub even after setting a new record for most comedy series nominations, FX’s “The Bear” has taken the lead in Golden Globe nominations across all categories, boasting five total nominations, which encompass both the series itself and the comedy genre, as well as four of its talented actors.
In contrast to its initial seasons that garnered significant acclaim, Season 3 of the FX series received more subdued reactions. However, it’s the second instance where a major voting group has weighed in on this past episode. The Critics Choice TV Awards only acknowledged Liza Colón-Zayas for her supporting role in comedy, but the show’s mixed reviews haven’t diminished its impact. The question of whether “The Bear” is truly a comedy or not remains up for discussion as we approach the next season.
The question arises as to whether Globe voters will continue to strongly favor “Bear,” or shift their support towards more recent and unfamiliar options instead.
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2024-12-10 02:19