‘11 Rebels’ Review: A Dirty Near-Dozen Deliver the Goods in a Rip-Roaring Samurai Spectacle

As a connoisseur of samurai cinema and someone who has witnessed the sword-wielding majesty of Akira Kurosawa’s classics, I must say that Kazuya Shiraishi’s “11 Rebels” is an exhilarating and blood-soaked addition to this venerable genre. The film’s intricate political machinations and breathtaking action sequences harken back to the golden age of samurai films, while its modern sensibilities and lavish production values place it firmly in the present.


The screenplay written years ago but never produced, which is set during Japan’s 1868-’69 civil war, has been revived and given a contemporary action movie twist in Kazuya Shiraishi’s film “11 Rebels.” This film offers an engaging and intensely violent reinterpretation of the familiar story about outlaws and misfits undertaking a suicidal military operation on the condition that they will be pardoned if they miraculously survive. With its blend of thrilling sword fights, emotionally charged revenge plots, political betrayals, and treachery, “11 Rebels” strikes the perfect balance for viewers seeking both action and drama.

Following the commencement of the Tokyo Film Festival, Shiraishi’s passionate samurai action film is set to enter Japanese theaters on November 1st. A slightly altered version of this movie has been procured by Well Go USA, a niche distributor, for North America. Lovers of the popular FX series “Shogun” may find much to appreciate in this elegantly crafted story set during the final days of feudal Japan. In the grand scheme of samurai cinema, it blends the formal structure of the genre’s golden age, led by Akira Kurosawa in the 1950s and ’60s, with the violent spectacle seen in more contemporary works like Takashi Miike’s “Blade of the Immortal.

Renowned for gritty crime dramas like “The Blood of Wolves” and the chilling “Lesson in Murder,” Shiraishi initially delved into samurai era narratives with the refined “Bushido,” debuting domestically in May 2024. Since then, he’s unveiled this high-octane production, set during the Boshin War. The storyline is based on a 1964 screenplay by the late Kazuo Kasahara, who co-authored the original script along with Junya Ikegami (“The Blood of Wolves”). The events unfold approximately eight years before those portrayed in the 2003 film “The Last Samurai,” starring Tom Cruise.

Delving into the complex web of political maneuvers can be a challenge, yet the core narrative remains clear. As the New Imperial Army relentlessly pushes against the armies of the ruling shogunate, the cunning Shibata clan, led by the 13-year-old heir, Naomasa Mizoguchi, devises a strategy that demonstrates loyalty to their feudal lords while simultaneously securing favorable outcomes should the imperial forces emerge victorious from the war. The crucial element of this cunning plot hinges on gathering a motley assortment of prisoners and dispatching them with a few Shibata warriors to safeguard a remote, yet strategically significant fortress.

In this film, due to its large cast, there might not be extensive character development, but it effectively serves the movie’s purposes. The main rebel, Masa (portrayed by Takayuki Yamada from “13 Assassins”), is a peasant who spared his own execution after killing a vile soldier who raped his wife. Akani (Ukon Onoe) is a tall and charming gambler, Nimaime (Hayate Ichinose) was imprisoned for looking the wrong way at a soldier’s wife, and “Cut-em-down” (Ryota Oyanagi), a terrifying customer, is a serial killer aiming to increase his count. The squad’s lovable mascot is Noro (Takara Sakumoto), who despite being mentally impaired, proves to be incredibly resourceful when it comes to bomb-making and tactical planning. It is intriguing to have Natsu (Riho Sayashi), a wronged woman, as part of the team, although more profound commentary about her situation, along with that of other females impacted by the conflict, could have been included for contemporary audiences.

Audience members should likewise become acquainted with Washio, a member of the Shibata group stationed at the fort. He is portrayed as a handsomely rugged and fiercely loyal warrior, gradually growing suspicious that his commanders have betrayed everyone. Washio’s valor provides an engaging contrast to Irie’s (Shuhei Nomura) cunning villainy, another officer with ties to the scheming Mizoguchi (Sadao Abe), who does not plan to let any rebels go free once the battle is over.

In “Rebels,” viewers are captivated by its intense storylines revolving around vengeance and unjust treatment. The movie lives up to audience expectations with explosive action sequences. Set against a picturesque backdrop featuring a precarious rope bridge for nerve-wracking escapes, the production team spares no effort in creating gripping battle scenes. Limbs and digits are brutally amputated, blood flows abundantly, and many heads roll amidst the intense clashes that occur under various weather conditions, from scorching sunlight to torrential rain.

The film, titled ’11 Rebels,’ doesn’t offer any significant surprises but delivers fast-paced action, solid acting performances, and visually appealing cinematography by Naoya Ikeda from the ‘Gannibal’ series. Despite the numerous attacks that Masa and his group miraculously survive, by the time they engage in the climactic battle, most viewers would likely agree that the film has met its objective of providing entertainment.

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2024-10-31 01:48